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Joseph Nechvatal
Joseph Nechvatal's contemporary art practice engages in the fragile wedding of image production and image resi
sta
nce. Through his version of an art-of-noise, he bring
s a
subversive reading to the human body through computational viruses,
Energy Flow
2016
video
constructued for the Rachel Carson bridge. Carson wa
s a
n American marine biologist, author, and conservationist whose book Silent Spring and other writing
s a
re credited with advancing the global environmental movement. Over 27,000 multicolored LED
MIC Exploration
Spa
ce
1996
-
1997
video
"MIC Exploration
Spa
ce"
sha
ll be used for the communication between participants through image
s a
nd extended integration of real-time interaction in virtual
spa
ce. The place function
s a
s a
new form of integration
spa
ce, where real-time
TextArc Vi
sua
lization of The History of Science
2006
For the "Places &
Spa
ces: Mapping Science" exhibition W. Bradford Paley approached making a map of science indirectly, by making a map of a book describing The History of Science. In this way, he leveraged the intelligent organization by Henry Smith
Dislocative Sculpture
2011
video
In "Dislocative Sculptures," Goethe-Institut Second Life Artist in Residence Tamiko Thiel and the United|Dislokations|Kartell (U|D|K) used the unique physics of building in Second Life to create a sculpture that could exist nowhere else. Cyber
spa
ce:
Advent
1995
-
1998
Advent i
s a
n interactive journey into the 25 days preceding the birth of something mes
sia
nic. The journey is set in and around the shoreline of a mythic river and takes the form of a fictional personal diary. At the heart of the piece i
s a
n advent
Andrea Polli
Andrea Polli i
s a
n artist working at the intersection of art, science and technology whose practice includes media in
sta
llation, public interventions, curating and directing art and community project
s a
nd writing. She has been creating media and
Perceptive Dislocations
2012
"Perceptive Dislocations" wa
s a
performative event at the Goethe-Institute I
sla
nd in Second Life. Cyber
spa
ce: The Final Frontier. Since 1994 with the advent of the World Wide Web, online virtual 3D worlds promised us endless freedom to be and do
Advent (Electric Art)
1999
Gillman, Clive. Advent (Electric Art). London: Ellipsis, 1999.
The Virtual Brewery Adventure
1996
Fisher, Scott S. and G. Fraser. The Virtual Brewery Adventure Computer Graphics 30 (November 1996): 4.
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