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  • TimeLine
    High resolution visualization of all 4535 covers of Time magazine (1923-2009) created with custom software. Source: Lev Manovich
  • Ecloud WWI
    ECLOUD WWI is an interactive spatial browser for the exploration of cultural data collected in the Europeana 1914–1918 archive. Presented in 3-D on a custom-designed 9 m by 3 m projection screen, the installation contains more than 40,000 images of
  • FACT Centre -
    External lighting scheme During the early stages of the building design a concept for the external skin of the building was defined. As the building specification required predominantly ‘black-box’ spaces (cinemas/galleries), very few options were
  • LEVITATION & LUMINA -
    Plexiglass, resin or light reflection, light projection, reflective foil variable dimensions 'Uršula Berlot’s work develops out of the evanescence of perception, predominantly delving into the realm of optics. Reflections and shadows produce
  • Sjoukje van der Meulen
    Sjoukje van der Meulen is an art historian, theorist and critic with a research focus on new media and digital culture. She received her PhD from the GSAPP at Columbia University (New York, 2009). She lived in the United States for 15 years
  • Human Nature History Lounge : Liquid Views
    2009 Ars Electronica, Brucknerhaus, Linz: Human Nature - 30 years Ars Electronica - History Lounge: Liquid Views. 3.-8.9.2009,
  • nterFaces : Medienfluss
    2009 Tweakfest 09, InterFaces, Zürich: Medienfluss - Inszenierung eines Archivs. Medienkunst-Installation imTechnopark Zürich. 24./25. April 2009
  • 'You_ser 2.0: Celebration of the Consumer -
    You_ser 2.0: Celebration of the Consumer - Liquid Views and netzspannung.org'', May 1 - August 30, 2009.
  • The Cybernetic Institute's Letter of Letters Manifesto
    The Cybernetic Institute's Letter of Letters Manifesto Video and Text By Lila Moore Background The Cybernetic Institute's Letter of Letters Manifesto is the outcome of an auto-communication between the Cybernetic Institute and Seeker of True-files.
  • Julius von Bismarck
    The medium of light transversing a space is the very property that makes space experiential, and therefore 'real'. Julius then might use optical elements such as mirrors and lenses, to add an-other dimension to these physical spaces. Drawing on
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