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  • p0es1s: The Aesthetics of Digital Poetry
    Christiane Heibach and Karin Wenz, ed. p0es1s: The Aesthetics of Digital Poetry. Ostfildern-Ruit: Hatje Cantz Publishers, 2004.
  • Life Encoded - The Communication Art of Eduardo Kac
    Paul, Christiane. Life Encoded - The Communication Art of Eduardo Kac In Curatorial essay written for the exhibition, edited by n/aRio de Janeiro: 2010.
  • Data Beautiful
    According to Info-Aesthetics Doctrine (www.manovich.net/IA), the society in which gathering, processing and distribution of information play central role needs its own art forms. These forms should take into account information behaviors and
  • Christie Widiarto
    Artist: Christie WidiartoComment:
  • London 2013 and London 2014 -
    London 2013 – and 2014 – reveal the view from Christina Niederberger’s studio on the 8th floor of ASC Studios’ Erlang House looking north over London’s newly emerging skyline. The images were constructed a pixel a second from top left to the bottom
  • #fuckreality. Kunstraum Niederösterreich. 5 October- 24 November
    Krejs, Christiane and Martin Kusch and Alexandra Schantl and Ruth Schnell. #fuckreality. Kunstraum Niederösterreich. 5 October- 24 November. Vienna: Verlag für Moderne Kunst, 2018.
  • Modular Structure and Image/ Sequences: Comics and Interactive Media
    Legrady, George. Modular Structure and Image/ Sequences: Comics and Interactive Media In Comics Culture: Analytical and Theoretical Approaches to Comics, edited by A. Magnussen and H.-C. Christianesen, 79-90. Copenhagen: Tusculanum Press, 2000.
  • Microswarm Patchwalk -
    Microswarm PatchwalkArtist: Christina McPheeComment:
  • Bodypaint video
    In Giulia Bowinkel & Friedemann Banz series of ”body paintings”, the body becomes the shaping pulse. Recordings of body movements in space are coupled with fluid simulations. The generated forms follow the movement of people, translating physical
  • Christina McPhee
    Christina McPhee’s images move within a matrix of abstraction, shadowing figures and contingent effects. Her work emulates potential forms of life, in various systems and territories, and in real and imagined ecologies. Her dynamic, performative,
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