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  • Jane Tingley is an artist, curator and Assistant Professor at York University. Her studio work combines traditional studio practice with new media tools - and spans responsive/interactive installation, performative robotics, and telematically
  • Sutherland, N. S.. Machines Like Men Science Journal 4 (October 1968): 44-48.
  • Willet, Jennifer. BIOTEKNICA: Reflections on Reproductive and Cloning Technologies Graduate Researcher: Journal for the Arts Science and Technology 1, no. 2 (2003).
  • Potts, John. Helyer's progress: fusing art and science [].
  • David Tomas is professor in the École des arts visuels et médiatiques at the Université du Québec Montréal. In addition to being an artist whose multimedia work explores the cultures and transcultures of imaging systems, Tomas has written articles
  • John Tonkin is a Sydney based new media artist. After studying science and then playing with photography, experimental film and animation, he began making computer animation in 1985. Tonkin develops his own software in programming languages such as
  • Timo Toots is a new media artist, photographer, and programmer based in Estonia. He studied computer science at Tartu University, and photography at the Estonian Academy of Arts. His works focus on the transformation of surveillance of society by
  • Swanson, Kara. Biotech in Court: A Legal Lesson on the Unity of Science. Los Angeles, London, New Delhi and Singapore: Social Studies of Science, 2007.
  • Marchese, Francis T.. Software Archaeology and the Preservation of Code-based Digital Art In Proceedings of Archiving Conference 2013, edited by Society for Imaging Science and Technology, 25-30. Springfield, VA: 2013.
  • Huhtamo, Erkki. Seeing at a Distance: Towards an Archaeology of the 'Small Screen' In Art@Science, edited by Christa Sommerer and Laurent Mignonneau, 262-278. Vienna/New York: Springer, 1998.