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  • Fleischmann, Monika and Wolfgang Strauss. Digitale Körperbilder oder Inter-Faces als Schlüssel zur Imagination Kunstforum 132, no. Die Zukunft des Körpers I (Nov - Jan 1995): 136-141.
  • Latour, Bruno. Der Berliner Schlüssel: Erkundungen eines Liebhabers der Wissenschaften. Berlin: Akademie Verlag GmbH, 1996.
  • Pedjick, Bodjana. Unknown Artist. New York: Fricke & Schmid, 1993.
  • Simanowski, Roberto. Der Autor ist tot, es lebe der Autor – Autorschaften im Internet In Interaktivität: Ein transdisziplinärer Schlüsselbegriff, edited by Christoph Bieber and Claus Leggewie, 190-215. Frankfurt am Main: campus, 2004.
  • Klotz, Heinrich and Wolfgang Lorenz and Christof Schmid, ed. Internationaler Videokunstpreis 1995. 1995 th ed.Karlsruhe, Germany: ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe, 1995.
  • Karsten Schmidt, also known as Toxi, is the director of Post Spectacular, the London-based design studio. At the heart of his practice lies the use of code as a creative tool and open-source technologies. Schmidt believes in building his own tools,
  • Karsten Schmidt, also known as Toxi, is the director of Post Spectacular, the London-based design studio. At the heart of his practice lies the use of code as a creative tool and open-source technologies. Schmidt believes in building his own tools,
  • Paramatrix
    Schmidt, Henry and Benjamin Seide. Paramatrix Tight Rope (1995).
  • Gernemann-Paulsen, A. and C. Robles Angel and U. Seifert and L. Schmidt. Physical Computing and New Media Art – new challenges events. 27. Tonmeistertagung (2012).
  • PUNCH
    Schmidt, Andrea. PUNCH. Minneapolis, USA: Rain Taxi Review, 2021.