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  • Takeover
    Bruckmayr, Dietmar. Takeover In Takeover: Who´s doing the Art of Tomorrow / Wer macht die Kunst von Morgen?, edited by Gerfried Stocker and Christine SchöpfVienna, New York: Springer, 2001.
  • The Bush Soul: Artist Statement
    Allen, Rebecca. The Bush Soul: Artist Statement In Ars Electronica 99: Life Science, edited by Gerfried Stocker and Christine SchopfVienna, New York: Springer, 1999.
  • Der künstliche Wille
    Weibel, Peter. Der künstliche Wille In Ars Electronica 1984 (Band 1), edited by Gottfried Hattinger and Christine SchöpfVol.1. , 239-256. Linz: Linzer Veranstaltungsgesellschaft mbH, 1984.
  • Ultima Ratio. Software und Interaktive Installation
    Daniela Alina Plewe. Ultima Ratio. Software und Interaktive Installation In Ars Electronica 98: Infowar: Information, Macht, Krieg, edited by Gerfried Stocker and Christine SchöpfWien, New York: Springer, 1998.
  • William Kentridge -
    The ensemble, this catalogue and the exhibition document the rich production of work by William Kentridge (Johannesburg, 1955), and especially show that each one of his activities are a way of returning to the act of drawing, an act the artist has
  • Elke Reinhuber: Face Value in CULTURAL R>EVOLUTION, ISEA 2016 Catalogue, p.238-241
    Krämer, Harald; Howe, Daniel; Chung, Kyle, ed. Elke Reinhuber: Face Value in CULTURAL R>EVOLUTION, ISEA 2016 Catalogue, p.238-241. Hong Kong: School of Creative Media, City University of Hong Kong, 2016.
  • Sensing the links- Creating art work with new media and dance
    Poulin, Marie-Claude. Sensing the links- Creating art work with new media and dance In Program to Perform- Exploring Dance and New Media, edited by I. Berg and A. Hansen, 86-92. Oslo: Oslo School of Architecture and Design and Dance Information
  • Margaret Dolinsky
    Margaret Dolinsky is an Artist, Research Scientist and Assistant Professor at the School of Fine Arts at Indiana University in Bloomington, Indiana. Her recent work involves digital painting fused into projections for opera and experimental film.
  • Genesis
    Kac, Eduardo. Genesis In Ars Electronica 1999: LifeScience, edited by Gerfried Stocker and Christine SchöpfWien, New York: Springer Verlag, 1999.
  • Featured Artist Jeffrey Shaw
    .. In the context of the 1960’s paradigm of installation he started with expanded cinema, performance and participatory environments..
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