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Cloud Murmurs
2014
-
2014
... data, websites and sensitive
info
rmations, as big clouds following...
Rigid Waves
1992
-
1993
video
In Rigid Waves, the acoustic mirroring of Narcissus and Echo is transformed into a visual form. Approaching the mirror, the viewer is confronted with a reflection that does not correspond to normal perception. Only an illusionary visual echo of
Interview Performing Data
2011
-
2011
video
... Matrix". The main questions and
comme
nts of the interviewer were: "How... i.e. the virtual touch re
info
rcing the sense of touch, touch as a...
Urban Lights contacts
2014
video
... met den Ancxt - Scenocosme
Comme
nt:
eCulture Factory
2005
-
2008
video
ECULTURE FACTORY 2005 A temporary Laboratory for Digital Culture and Interactive Media directed by Monika Fleischmann and Wolfgang Strauss, was funded by the EU, the Bremen Senate and Fraunhofer IAIS (May 2005 – May 2008). The objective was to
Cast 01: Living in Mixed Realities
2001
-
2001
... Fleischmann | Wolfgang Strauss
Comme
nt:
Between Zero and One
1988
-
1988
video
Between 0 and 1: Numerical Dream or the Generative Transformation of Virtual Space (1988) "Between Zero and One" is created by changing the numerical values of geometric shapes such as a cube. This process generates an infinite variety of
i2tv - Interactive TV
1999
-
2000
video
I"TV : INTERACTIVE IMMERSIVE TV 1999 / 01 i2tv is a model for an electronic arena that explores a new form of live artistic production integrating on-line participants with participants at a real physical location. Participants take part in a
Liquid Views
1992
-
1992
video
LIQUID VIEWS (1992) - TOUCHING THE VIRTUAL SELF Liquid Views explores the concept of self-reflection in a digital pool. Like Narcissus gazing into the water, visitors see themselves, creating ripples with their touch. But here's the twist: the
Peep Hole
2011
-
2013
This work extends my investigation of shifts in spectatorship in the context of the digital. It seeks to bring a live social context to bear on acts of looking and being looked at that might more commonly occur through digital media. The work aims
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