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  • Digital Mosaics: The Aesthetics of Cyberspace
    Holtzman, Steven. Digital Mosaics: The Aesthetics of Cyberspace. New York: Simon and Schuster, 1997.
  • RECORD>AGAIN! -
    RECORD>AGAIN! 19.09.09–15.11.09 The exhibition of the ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe (Centre for Art and Media Technology) continues its project of the technical and scientific processing of video art initiated by the ZKM in
  • Ultima Ratio - A Visual Language for Argumentation
    Schroeder, Michael and Daniela A. Plewe and Andreas Raab. Ultima Ratio - A Visual Language for Argumentation In Proceedings of International Conference on Information Visualisation, London, UK, edited by IEEE Computer SocietyVol.IV. , 510-515.
  • Life on the Screen: Identity in the Age of the Internet
    Turkle, Sherry. Life on the Screen: Identity in the Age of the Internet. New York: Simon and Schuster, 1995.
  • Portrait one - Gedanken zu einer Werkbetrachtung von Ernst Wagner
    Schuster, Ulrich. Portrait one - Gedanken zu einer Werkbetrachtung von Ernst Wagner .
  • Soviet Cybernetics and International Development
    Ford, John J.. Soviet Cybernetics and International Development In The Social Impact of Cybernetics, edited by Charles DecherNew York: Simon and Schuster, 1966.
  • La Tentation de la techno-mystique
    Schutze, Bernard. La Tentation de la techno-mystique Inter Art Actual (Winter 1996): 25.
  • Frank Schubert
    After studies of Philosophy and esthetic theory in Frankfurt und Paris (1988-1992) a short intermezzo followed as scientific assistant at Museum für Moderne Kunst in Frankfurt am Main. 1992 starting artistic practice with the projekt "Human
  • Der simulierte Benjamin: Mittelalterliche Bemerkungen zu seiner Aktualität
    Bredekamp, Horst. Der simulierte Benjamin: Mittelalterliche Bemerkungen zu seiner Aktualität In Frankfurter Schule und Kunstgeschichte, edited by Andreas Berndt and Peter Kaiser and Angela Rosenberg and Diana Trinkner, 117-140. Berlin: Reimer,
  • Silk Screen
    Silk ScreenArtist: Lillian F. SchwartzComment:
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