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  • Light object Series 'Mirrors of the Unseen (MotU)' 'MotU #7' and 'MotU #8', from the series 'Mirrors of the Unseen', feature words and symbols that seem to float in the space like holograms, which observers can only perceive as afterimages using
  • Gsöllpointner, Katharina and Ruth Schnell and Romana K. Schuler. Digital Synesthesia: A Model for the Aesthetics of Digital Art. Berlin/Boston: Walter de Gruyter, 2016.
  • The computerised light installation 'Dialogue in Transition' employs the transitory character of the 110-meter-long “netwalk” of the EnBW building in Stuttgart, which connects all parts of the complex. Twelve 35 cm-high light sticks with white LEDs
  • DO NOT CROSS -
    The two-part video installation 'DO NOT CROSS' shows rides alongside border fences in the United States, Belfast and Jerusalem. The rides are presented as stop motion videos composed of single-panorama shots. The images are taken from a common
  • Curvature - video
    Robotic object, performance A 3D printing pen attached to a robot in motion produces random topographies out of plastic filament, set at regular intervals. The resulting spatiality oscillates between liability and dissolution. The work was conceived
  • Concertina -
    Print on gold-plated steel An UV print on gilded steel features a series of ornamental patterns. As in the project 'Violating Patterns (2014)', 'Concertina' adopts representations of NATO barbed wire models from the product catalogue of a
  • Hofleitner, Johanna. Ruth Schnell-- Das Sehen re-konstruieren EIKON - Internationale Zeitschrift für Photographie & Medienkunst 24 (1998).
  • Schnell, Ruth. On the occasion of La Biennale di Venezia 1995 In On the occasion of La Biennale di Venezia 1995, edited by Ruth SchnellVienna: 1995.
  • Thun-Hohenstein, Christoph. Ruth Schnell, 2006 In 21 POSITIONS, edited by Christoph Thun-HohensteinNew York: Austrian Cultural Forum New York, 2006.
  • Thun-Hohenstein, Christoph. Ruth Schnell, 2006 In 21 POSITIONS, edited by Christoph Thun-HohensteinNew York: Austrian Cultural Forum New York, 2006.