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WYSIWyG or WYGIWyS? (What you see is what you get or what you get is what you see?
2004
Beiguelman, Giselle. WYSIWyG or WYGIWyS? (What you see is what you get or what you get is what you see? In pOes1s. Ästhetik digitaler Poesie, edited by Friedrich W. Block and Christiane Heibach and Karin WenzOstfildern-Ruit: Hatje Cantz, 2004.
Public CulturalProduction Art(Software){
2003
Public CulturalProduction Art(Software){Author: Paul, Christiane
Digital Art
2008
Paul, Christiane. Digital Art. World of Art Series, New York: Thames and Hudson Ltd., 2008.
NETworking Net Art
2007
Boredomresearch. NETworking Net Art In Computer Fine Art Collection, edited by Illana Tenenbaum and Christiane Paul, 20. Haifa: Haifa Museum of Art, 2007.
The Complex and Multifarious Expression of Digital Artand Its Impact on Archives and Humanities (in press)
2015
Grau, Oliver. The Complex and Multifarious Expression of Digital Art and Its Impact on Archives and Humanities (in press) In Digital Art, edited by Christiane Paultba: 2015.
CODeDOC II: curator's statement
2003
Paul, Christiane. CODeDOC II: curator's statement http://www.aec.at/CODeDOCII.
New Media in the White Cube and Beyond - Curatorial Models for Digital Art
2008
Christiane Paul. New Media in the White Cube and Beyond - Curatorial Models for Digital Art. Berkeley, CA: UC Press, 2008.
Expanding Cinema: The Moving Image in Digital Art
2008
Christiane Paul. Expanding Cinema: The Moving Image in Digital Art In Film and Video Art, edited by Stuart ComerLondon: Tate Publishing, 2008.
Context Providers. Conditions of Meaning in Media Arts
2011
Christiane Paul and Margot Lovejoy and Victoria Vesna. Context Providers. Conditions of Meaning in Media Arts. Bristol: Intellect Ltd., 2011.
Reflections of Our Selves—The Art of Scott Snibbe.
2005
Paul, Christiane. Reflections of Our Selves—The Art of Scott Snibbe.. Los Angeles: Telic Art Gallery, 2005.
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