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Renderings of Digital Art Vectors: Digital Art of Our Time 2002

Paul, Christiane. Renderings of Digital Art Vectors: Digital Art of Our Time Leonardo 35, no. 5 (2002): 471-474 and 476-484.
Time Capsule 1998

Paul, Christiane. Time Capsule Intelligent Agent 2, no. 2 (1998): 4-13.
Victoria Vesna

Victoria Vesna, Ph.D., is a media artist and Professor at the UCLA Department of Design | Media Arts and Director of the Art|Sci center at the School of the Arts and California Nanosystems Institute (CNSI). She is currently a senior researcher at
WYSIWyG or WYGIWyS? (What you see is what you get or what you get is what you see? 2004

Beiguelman, Giselle. WYSIWyG or WYGIWyS? (What you see is what you get or what you get is what you see? In pOes1s. Ästhetik digitaler Poesie, edited by Friedrich W. Block and Christiane Heibach and Karin WenzOstfildern-Ruit: Hatje Cantz, 2004.
Eduardo Kac: Telepresence, Biotelematics, Transgenic Art 2000

Dobrila, Peter Tomaz and Aleksandra Kostic, ed. Eduardo Kac: Telepresence, Biotelematics, Transgenic Art. Maribor, SL: Kibla, 2000.
Public CulturalProduction Art(Software){ 2003

Public CulturalProduction Art(Software){Author: Paul, Christiane
Digital Art 2008

Paul, Christiane. Digital Art. World of Art Series, New York: Thames and Hudson Ltd., 2008.
NETworking Net Art 2007

Boredomresearch. NETworking Net Art In Computer Fine Art Collection, edited by Illana Tenenbaum and Christiane Paul, 20. Haifa: Haifa Museum of Art, 2007.
The Complex and Multifarious Expression of Digital Artand Its Impact on Archives and Humanities (in press) 2015

Grau, Oliver. The Complex and Multifarious Expression of Digital Art and Its Impact on Archives and Humanities (in press) In Digital Art, edited by Christiane Paultba: 2015.
CODeDOC II: curator's statement 2003

Paul, Christiane. CODeDOC II: curator's statement http://www.aec.at/CODeDOCII.

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