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  • Wiener, Norbert. Cybernetics, or Control and Communication in the Animal and the Machine. New York: Wiley and Sons, 1948.
  • Ashby, William Ross. An Introduction to Cybernetics. London: Chapman and Hall Ltd., 1956.
  • Ford, John J.. Soviet Cybernetics and International Development In The Social Impact of Cybernetics, edited by Charles DecherNew York: Simon and Schuster, 1966.
  • George, Frank Honywill. Automation, Cybernetics and Society. New York: L. Hill, 1959.
  • Collection: Museum of Modern Art, New York. Csuri continued with this experimentation on other drawings, including one of a hummingbird in flight. Csuri produced over 14,000 frames, which exploded the bird, scattered it about, and reconstructed it.
  • Richard Brown has a BSc in Computers & Cybernetics and an MA in Fine Art and creates interactive artworks using multi-media technology, computer programming, electronics and interfacing. Between 1995 and 2001 Richard was a Research Fellow at the
  • Hayles, Katharine. How We Became Posthuman: Virtual Bodies in Cybernetics, Literature and Information. Chicago, London: University of Chicago Press, 1999.
  • Pierce, John R.. A Chance for Art In Cybernetics, Art and Ideas, edited by Jasia Reichhardt, 46 - 56. London: Studio Vista, 1971.
  • Telematic Manifesto -
    Net-Project The "Telematic Manifesto" is a participatory, collectively-generated Net Document that articulates a vision for the future of Telematic Art as a socio-cultural force in the 21st century. This project investigates Telematic Art as the
  • Reichardt, Jasia, ed. Cybernetics, Art and Ideas. London: Studio Vista, 1971.