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  • Shaw, Jeffrey. Movies after Film - The Digitally Expanded Cinema In New Screen Media. Cinema/Art/Narrative, edited by Martin Rieser and Andrea Zapp, 268-275. London, UK: ZKM Karlsruhe and BFI London, 2002.
  • Beloff, Zoe. An Ersatz of Life In New Screen Media: Cinema/Art/Narrative, edited by Rieser Martin and Andrea ZappLondon: BFI London and ZKM Karlsruhe, 2002.
  • Manovich, Lev and Andrea Zapp. Computerisation and Film Language In New Screen Media. Cinema/Art/Narrative, edited by Martin RieserLondon, Karlsruhe: BFI London and ZKM Karlsruhe, 2002.
  • Francesco Aprile (Lecce, Italy) is freelance journalist, poet and visual-poet, essayist. In 2010 he became member of the literary movement called New Page-Narrativa in store, that has founded in 2009 by Francesco Saverio Dòdaro and for which he
  • Rieser, Martin and Andrea Zapp. New Screen Media: Cinema/Art/Narrative. London, UK: BFI London and ZKM Karlsruhe, 2002.
  • Zapp, Andrea. net.drama:// myth/mimesis/mind_mapping In New Screen Media: Cinema/Art/Narrative, edited by Martin Rieser and Andrea Zapp, 77-89. London, Karlsruhe: BFI London and ZKM Karlsruhe, 2002.
  • Ascott, Roy. The Architecture of Cyberception In Architects in Cyberspace, edited by M. Toy, 38-41. London: Academy Editions, 1995.
  • Philip Beesley is a professor in the School of Architecture at the University of Waterloo. A practitioner of architecture and digital media art, he was educated in visual art at Queen’s University, in technology at Humber College, and in
  • David R. Burns takes an interdisciplinary approach to creating digital media art by combining 3D computer modeling and animation, digital video, sound design, and physical computing to push the boundaries of artistic expression. His creative work
  • Critical Art Ensemble (CAE) is a collective of five tactical media practitioners of various specializations including computer graphics and web design, film/video, photography, text art, book art, and performance. Formed in 1987, CAE's focus has