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  • Plot Against Time #2 (Flurry) -
    ... coursing through their future path like blood cells through arteries. The chaos of...
  • Mark Amerika
    ...merika has written several books including “Sexual Blood”, “The Kafka Chronicles” and “META/DATA: A...
  • I'm sorry I made you feel that way -
    “I'm sorry I made you feel that way” is an interactive experience and performative self-portrait exploring new possibilities for empathy and care for our hybrid selves. Martina Menegon’s biometric data collected daily via a wearable smart ring
  • Touch the Virtual
    ...Event: Touch the VirtualInstitution: SENSORIAL: Body, Media and the Relational WorldComment:
  • Humanisation et naturalisation des technologies : de l’interactivité aux systèmes enactifs-affectifs -
    The human-technology relationship opens up a new environment linked to the effects of technologies on our lives and causes an anthropological revolution through the presence of interactive systems that modify our perception of the world. In the last
  • Ken E. Rinaldo
    Ken Rinaldo is internationally recognized for interactive art installations developing hybrid ecologies with animals, algorithms, plants, and bacterial cultures. His art/science practice serves as a platform for hacking complex social, biological,
  • Time Capsule -
    "Time Capsule" is a work-experience that lies somewhere between a local event-installation, a site-specific work in which the site itself is both my body and a remote database, a simulcast on TV and the Web, and interactive webscanning of my body.
  • I.E.D (Improvised Empathetic Device)
    ... a needle into the wearers arm, drawing blood and immediate attention to the reality that...
  • Telematic Vision -
    Artistic Statement by Paul Sermon First there was the bed, then came the sofa. The beginnings of this work started with the installation "Telematic Dreaming" produced in June 1992 for the "koti" exhibition in Kajaani, Finland. forwarding the
  • WINTERMUSIK -
    The interconnection between the musical and the visual work is particularly based on a constant exercise of deconstruction, where the human being and his body emerge as a matter of invention and of “decomposition” in many expression and in a
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