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  • DOMINGUES, DIANA MARIA G. Ciberestética e a engenharia dos sentidos na Software Art. In Estéticas Tecnológicas: Novos modos de sentir, edited by Lucia SANTAELLA and Priscila ArantesSão Paulo: Educ, 2008.
  • Ferreira, Helena. A industrialização da educação e as suas repercussões nas artes visuais Revista Brasileira de Educação e Cultura ISSN 2237-3098, no. 10 (2015): 37 - 46.
  • III International Meeting of Art and TechnoScience: expanded sensorium, health and Bioart
  • DOMINGUES, DIANA MARIA G. Interatividade e ritual: diálogos do corpo com os sistemas artificiais Informática na Educação, UFRGS- Porto Alegre 3, no. 1 (2000): 111-120.
  • GARDEN CONCEPT In the context of the Regional STARTS Centers in Greece, the non-profit platform for social innovation projects MADE GROUP, with the support of the Athens Tech College and the Cultural Association of Archilochus of Paros, sets the
  • Two Women -
    "Two Women" consisted of one computer station, two light boxes (58.4 x 60.3 x 20.3 cm), and two boxes (95.25 x 71.1 x 30.5 cm) each with three images revolving in response either to a timing device located in the computer or to user key-press at the
  • Moya, the Artist living in his art work Performer, visual and digital artist, Patrick Moya make an art mediterranean, funny, baroque, generous and delightful. In Nice (big city near the sea), where he lives, he is the last part of the artistic
  • MUSEALL
    MUSEALL (prononcer « Musée All », nom alt. : ARTGATE… nom de code) Dispositif Educatif Muséographique Artistique Numérique et Documentaire (DEMAND) Aucun musée ne donne accès à la totalité des collections des autres Musées. Les petites municipalités
  • Lillian F. Schwartz is best known for her pioneering work in the use of computers for what has since become known as computer-generated art and computer-aided art analysis, including graphics, film, video, animation, special effects, Virtual Reality
  • Mental imMigration is a collective networked environment which allows on a playful level experiental approaches to new forms of global teleworking. This work requires from teleworkers a mental, immaterial migration in another cultural logic. This