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  • Sommerer, Christa and Laurent Mignonneau. Modeling Complex Systems for Interactive Art In Applied Complexity – From Neural Nets to Managed Landscapes, edited by Halloy S. and T. Williams, 25-38. Christchurch: Institute for Crop and Food Research,
  • ... Rampant as Threshold Houseboys Choir. His...
  • Time and Time again -
    Time&Time Again extends media navigation to a site-specific context with both web- and body-based interfaces. A distributed interactive installation, the piece was commissioned by the Wilhelm Lehmbruck Museum in Duisburg, Germany, as part of its
  • Autopoiesis -
    Autopoiesis, is a robotic sculpture installation commissioned by the Kiasma Museum in Helsinki, Finland as part of Outoaly, the Alien Intelligence Exhibition curated by Erkki Huhtamo, 2000. It consists of fifteen robotic sound sculptures that
  • Dis-M-Body -
    Dis-M-Body is a multisensory, interactive installation exploring the disembodied nature of information and messages as they dislocate and fracture one's sense of self, while simultaneously expanding one's sense of connection. Our sense of
  • As you approach this piece a sensor turns a light on which projects the worms and tree forms onto the walls and ceiling. The tubefex worms which are the stars of this piece demonstrate a form of supra organization in which these single tubefex worms
  • Nervousness. Allergy. Dependence. A hypersensitive environment transforms the image to a reactive system which parasites on it¹s surroundings, circumstances, observer. The image behaves like a instable network, a mutating virus, a overloaded nervous
  • March -
    ... The narratives unfold against a background...
  • The Return of Ulysses -
    Lincoln Center Great Performers Present Il Ritorno d'Ulisse March 2-6, 2004 Handspring Puppet Company Furio Zanasi - Ulisse Kristina Hammarström - Penelope Jan Kobow - Telemaco/Pisandro Marek Rzepka - Nettuno/Antinoo Atala Schoeck -
  • Aurora di Venere -
    "Aurora di Venere" is a performance for theatre where a group of dancers interact with digital entities projected on two screens located at the background and at the front (semi-transparent) of the theatre's stand. The dancers play with the