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  • Humanist der Telecommunication
    Perthold, Sabine. Humanist der Telecommunication Bühne (June 6th 1994).
  • Christina Kubisch
    Christina Kubisch was born in Bremen in 1948. She studied music, painting and electronics. Performances and concerts until 1980, subsequently sound installations, sound sculptures and work with ultraviolet light. Numerous grants and awards, such as
  • Selcuk Artut
    Selçuk ARTUT’s artistic research and production focus on the theoretical and practical dimensions of human-technology relations. Artut’s artworks have been exhibited at Sonar Istanbul, ISEA, AKM Istanbul, Siggraph, Dystopie Sound Art Festival
  • Curating Media/Net/Art: Circulating Contexts
    Hochrieser, Sabine and Franz Thalmair and Cont3xt.Net and Michael Kargl, ed. Curating Media/Net/Art: Circulating Contexts. Norderstedt: Books on Demand, 2007.
  • be prepared! tiger!
    Schmidt, Sabine Maria. be prepared! tiger! Article Artist´s Homepage.
  • Thinkering with Media: On the Art of Paul DeMarinis
    Huhtamo, Erkki. Thinkering with Media: On the Art of Paul DeMarinis In Paul DeMarinis: Buried in Noise, edited by Ingrid Beirer and Sabine Himmelsbach and Carsten Seiffairth, 33-46. Heidelberg/Berlin: Kehrer, 2010.
  • Warren Neidich
    Warren Neidich is a Berlin and Los Angeles based post-conceptual artist, theorist and writer who explores the interfaces between cultural production, brain research and cognitive capitalism. “Art Before Philosophy not After”. His interdisciplinary
  • Winner of The Prix Net Art, 2014: JODI
    Michael Connor, Samantha Culp, Zhang Ga, and Sabine Himmelsbach. Winner of The Prix Net Art, 2014: JODI https://prix-netart.org/past-winners/ [PRIX NET ART, October 2014].
  • RISING: Young Artists to keep an Eye on!
    Müller, Sabine Elsa. RISING: Young Artists to keep an Eye on!. 1 th ed.Cologne: DAAB Media, 2011.
  • The Magic Flute -
    On view will be fifty working drawings and fragments used in the creation of the scenic design and animation for The Magic Flute, the Mozart opera given brilliant interpretation by William Kentridge in a long-awaited production this past spring
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