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Record again! 40JAHREVIDEOKUNST.DE Teil 2
2009
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2010
40JAHREVIDEOKUNST.DE Teil 2 Joseph Beuys, Wolf Kahlen, Ulrike Rosenbach, Holger Czukay, Anna Oppermann, Klaus vom Bruch, Walter Schröder-Limmer, Bazon Brocks, Gerry Schum, Jörg Herold, Michael Morgner, Lutz Dammbeck, Ulrich Rückriem, Klaus Rinke,
The Air-Liquid Display Sculpture
1982
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1982
Event: The Air-Liquid Display SculptureInstitution: Frascati TheatreComment:
Frascati Theatre
Convulsive Tropical Beauty
2014
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2014
Beleza Convulsiva Tropical discute a tensão entre natureza e cultura, o informal e o formal, as situações de enfrentamento entre controle e descontrole que se emaranham à história cultural e urbana do Brasil. Aqui os trópicos são entendidos como uma
RECORD>AGAIN!
2009
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2009
RECORD>AGAIN! 19.09.09–15.11.09 The exhibition of the ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe (Centre for Art and Media Technology) continues its project of the technical and scientific processing of video art initiated by the ZKM in
Journey to the Moon
2007
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2007
Verzaubert von dem ersten Science-Fiction-Film der Geschichte "Le Voyage dans la Lune" (George Méliès, 1902), schafft der zeitgenössische Künstler William Kentridge mit seinem gleichnamigen Werk eine Hommage an den französischen Experimentalfilmer
The Virtual Brewery Adventure
1996
Fisher, Scott S. and G. Fraser. The Virtual Brewery Adventure Computer Graphics 30 (November 1996): 4.
International Symposium of Electronic Art, Simon Fraser University, Vancouver, Canada 2015
2015
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2015
Event: International Symposium of Electronic Art, Simon Fraser University, Vancouver, Canada 2015Institution: Simon Fraser UniversityComment:
Emiliano Zucchini
Emiliano Zucchini was born in Frascati in 1982 and lives in Rome. After completing his studies in Graphic Design, he began working as a graphic designer and photographer for various art publishing houses in Rome, Milan, and Ancona, building
This one's for the Farmer
2013
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2014
‘This one’s for the farmer’ encompasses five bodies of work. Each set of work has been produced with the farming community as a partner. While the title seems to exclude the art viewer, the whole body of work is about enticing viewers to take a
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