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Protected Mode
1991
Kittler, Friedrich Adolf. Protected Mode In Strategien des Scheins. Kunst - Computer - Medien, edited by Florian Rötzer and Peter Weibel, 256-267. München: Boer Verlag, 1991.
Das Nadelöhr. Ein weiterer Versuch, zwischen Mimesis und Simulation zu unterschei
den
1991
... zu unterschei
den
In Strategien des...
“Vorsicht! Es scheint, daß er direkt auf die Dunkelheit zustürzt, in der Sie sitzen.” Immersions- und Emotionsforschung, Kernelemente der Bildwissenschaft
2007
Grau, Oliver. “Vorsicht! Es scheint, daß er direkt auf die Dunkelheit zustürzt, in der Sie sitzen.” Immersions- und Emotionsforschung, Kernelemente der Bildwissenschaft In Wie sich Gefühle Ausdruck verschaffen, edited by Klaus Herding and Antje
See you online!
1995
Zapp, Andrea. See you online! In Jugend auf dem Datahighway, edited by Fred Schell and Bernd Schorb, 62-68. München, DE: kopaed verlags gmbh, 1995.
PointScreen
2001
-
2002
video
PONTSCREEN : MINORITY REPORT STYLE INTERFACE 2003 PointScreen is an interface for touchless control of a screen. Inspired by the Theremin, the first electric musical instrument that can be played without touch, we have developed a digital technology
Aspects of Gaia
1989
-
1989
The installation is a 2-level schematization of this telematic Gaia. One level is presented in tents, with computer graphic images contributed by networkers around the world, and which can be further manipulated by participants in the tents.
Ciberarte: rituais interativos para um sujeito interfaceado
2001
DOMINGUES, DIANA MARIA G. Ciberarte: rituais interativos para um sujeito interfaceado Coleção Mario Schemberg Arte e Ciência - ECA USP 1 (2001): 157-171.
Ksenia Fedorova
Ksenia Fedorova is a media art researcher and curator. She holds Ph.D in Philosophy/Aesthetics (St.Petersburg, Ekaterinburg, RU) and is a PhD candidate at the Cultural Studies Graduate Group, University of California Davis. Her research interests
Radoslav Rochallyi
My artwork is critical of social, political, and cultural issues. My work often refers to European history and especially the present. For the last few years, I have been working on my works in the Visual Mathematical form. I process every idea both
schème
2001
Mussely, Catherine. schème https://www.fondation-langlois.org/html/e/page.php?NumPage=238.
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