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European Media Art Festival 2004: Transmitter
2004
The guiding theme of EMAF 2004 triggered numerous associations: transmitters, emitters, carriers or x-mitters – visualised by all kinds of dove species depicted on the festival’s posters, billboards and catalogues this year. In line with this
Televirtual Fruit Machine
1993
-
1993
video
This computer graphic installation is a telematic adaptation of THE FRUIT MACHINE (1991). The work connects remote locations to enable simultaneous imaging and real time interaction to take place between both sites where the work is installed. It
Architext
1992
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1992
video
Large LED alphanumeric units are mounted in a 13 x 9 grid on the stage tower of this theater. Like a conventional news sign textual information is scrolled through these elements, but because the alphanumeric units are spaced far apart, the
the leap
1998
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1998
The Leap carries out a new interpretation of Norwegian national symbols: Henrik Ibsen's "Peer Gynt", Edvard Grieg's music to the play and The Norwegian mountain wilds. In the installation these functions as condensed symbols of our
Triple Echo
2003
Triple Echo is an interactive film environment where poetic monologues are each performed by three actors representing an updated version of the Orpheus and Eurydice myth. These characters form a proverbial "Eternal Triangle". Each screen section
Solimán López
BA in Art History and MA in Arts and Communication, is carrying out his artistic activity by continuously crossing the thin line between intangible and tangible, focusing on the idea of non digital identity, the erosion of an overloaded information
Julia Carrillo
Artist: Julia CarrilloComment:
Arte en la red
2004
Carrillo, Jesús. Arte en la red. Madrid, Spain: Cátedra, 2004.
La red: un sitio inespecífico
2005
Carrillo, Jesús. La red: un sitio inespecífico Artecontexto: arte, cultura, nuevos medios , no. 6 (2005): 16-25.
Ghosts in the Machine. Exhibition Catalogue
2012
Massimiliano, Gioni and Gary Carrion-Murayari, ed. Ghosts in the Machine. Exhibition Catalogue. New York: New Museum, 2012.
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