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  • Nacho Frades
    In my work I want to describe worlds that only exists in my mind, I want to explore this worlds created by the inner mind, they are mainly landscapes of lonely places, where I am the only person in the work, the person that sees them, the observer.
  • Using affective trajectories to describe states of flow in interactive art
    Benayoun, M. and Stephen W. Gilroy and Marc Cavazza. Using affective trajectories to describe states of flow in interactive art International Conference on Advances in Computer Entertainment Technologies (2009).
  • Creation Myth -
    Creation Myth describes the birth of a new environment utilizing unique fractal and particle system software. It was designed for exhibition on Palladium's 50 monitor video display system. (Rebecca Allen)
  • RED DROP
    The code of this Java-applet describes the movement of a red polygon. There are two modes: Whenever the viewer clicks on the screen, the polygon is attracted to the mouse pointer and forms a flexible circular drop that can be dragged around the
  • Preghiera -
    ... and both hang from the ceiling,...
  • Imagining Macondo -
    Imagining Macondo is a public artwork that commemorates Nobel Prize-winning author Gabriel Garci?a Ma?rquez. It was first showcased at the Bogota International Book Fair in April 2015 to an audience of more than 300,000 over the course of two weeks.
  • Lila Moore
    ... Dance on Screen from Middlesex University...
  • A Standard Video -
    D.I.N., the German Institute for Standardisation, is the extremely influential national standards body that represents German interests in European and international standards organisations since 1917. Their press spokesman, Mr. Anthony, describes
  • Phototropy - video
    "Phototropy" is a biological expression describing the force, that keeps organisms or organs, like for example bacteria or plants, following the light, in order to get nutrition and hence, to survive. The interactive computer installation
  • Cacophony (Scene 2)
    ... them visually from the point-of-view of...
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