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  • Anderson, Isabel. The Etcher's Byte: The Piety of the Print; The Pixelation of the Panoptic in Four Southern California Shows VISIONS Art Quarterly (Spring 1994).
  • Bock, Mary Lou. Gallery Spread curated by Mary Lou Bock of the Williams Gallery, Princeton New Jersey Computer Artist (magazine) (August-September 1994).
  • Jacquemart, Christian. Victor Acevedo, Cyber-Artiste Creation Numerique , no. 12.2 (Summer 1994).
  • DOMINGUES, DIANA MARIA G. O Sentir Eletrônico Revista Fórum Bhz Vídeo, Ed. Littera Maciel 2 (1994): 32-40.
  • Strauss, Wolfgang and and Monika Fleischmann. The Dice Time of the Dynamic Space In The 5th International Symposium on Electronic Art Catalogue, edited by Mina Tarkka, 106-107. : University of Art and Design Helsinki UIAH, 1994.
  • The Telegarden -
    The TeleGarden is an art installation that allows web users to view and interact with a remote garden filled with living plants. Members can plant, water, and monitor the progress of seedlings via the tender movements of an industrial robot arm.
  • In this installation images are projected onto a large screen lying flat on the floor of the exhibition space. The spectators stand on a surrounding balcony where a joystick enables any one of them to interactively operate the work by panning in any
  • I first conceived the Telepresence Garment in 1995 to investigate the notion of the mediascape as an expanded cloth; i.e., to consider wireless networking as a new fabric that envelops the body. The Garment, which I finished in 1996, gives
  • The Freud-Lissitzky Navigator takes the visitor on a journey through an architectural simulation of Freud's theories. Scenes from Sergei Eisenstein's first attempts at a film exploration of Freud's and Lissitzky's original
  • Passage Sets / One Pulls Pivots at the Tip of the Tongue (1995) is an interactive installation that functions as an elaborate navigable audio/visual poem. Seaman worked with Chris Ziegler as the programmer for this work. Three projections comprise