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Recent Developments in Virtual Experience Design and Production 1995

Fisher, Scott S.. Recent Developments in Virtual Experience Design and Production In Stereoscopic Displays and Virtual Reality Systems II, edited by Scott S. Fisher and Mark, Bolas and John Merritt, Proc. SPIE2409. : 1995.
Virtual Environements and Advanced Interface Design 1995

Furness, Thomas A. III. and Barfield Woodrow, ed. Virtual Environements and Advanced Interface Design. Oxford: Oxford University Press, 1995.
Negotiating Meaning: The Dialogic Imagination in Electronic Art 1999

Kac, Eduardo. Negotiating Meaning: The Dialogic Imagination in Electronic Art In Proceedings of Computers in Art and Design Education Conference, edited by UK University of TeessideTeeside, UK: 1999.
New Media Poetry: Poetic Innovation and New Technologies 1996

Kac, Eduardo, ed. New Media Poetry: Poetic Innovation and New Technologies. Vol.30. Visible Language, Rhode Island: Rhode Island School of Design, 1996.
Sylvia Eckermann

Sylvia Eckermann In Sylvia Eckermann's work, a discursive engagement with form and media culminates in critical artistic reflections about our entanglement as individuals in current socio-economic situations. Eckermann works with various media
The Art of Human-Computer Interface Design 1990

Laurel, Brenda, ed. The Art of Human-Computer Interface Design. New York: Addison-Wesely, 1990.
Interaction Design: Beyond Human-Computer Interaction 2002

Preece, Jenny and Yvonne Rogers and Helen Sharp. Interaction Design: Beyond Human-Computer Interaction. Hoboken, NJ: John Wiley and Sons Ltd., 2002.
Jeffrey Shaw. The Centre for Art and Media, Karlsruhe. An Interview 1994

Pijnappel, Johan. Jeffrey Shaw. The Centre for Art and Media, Karlsruhe. An Interview Art and Design Profile 39 (1994): 70-79.
Agents as Artworks and Agent Design as Artistic Practice 1999

Penny, Simon. Agents as Artworks and Agent Design as Artistic Practice In Human Cognition and Social Agent Technology, edited by Kerstin DautenhahnAmsterdam, NL: John Benjamins Publishing Company, 1999.
Kirschner, Morawe, Reiff

//////////fur//// develops art entertainment interfaces for multidimensional multiuser involvement: software-programs in mechatronic artefacts that create dynamic action-spaces for two or more participants. //////////fur////'s guiding idea is the

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