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The Big Plot
2009
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2009
"This is a romantic-spy story rendered into the genre of Recombinant Fiction. Four characters told a fiction using dialogues shown on several media channels. The cloned identity of a real spy was used to portray a story about the political and
Reel Succes Stories: Conceiving Ada (6 of 7)
2008
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2008
Reel Success Stories: Lynn Hershman Leeson Wednesday, November 12, 2008 Presented by Bay Area Women in Film & Media An intimate discussion with local award-winning filmmaker and artist Lynn Hershman Leeson. A pioneer of the use of interactive
Reel Success Stories: Intro (1 of 7)
2008
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2008
Reel Success Stories: Lynn Hershman Leeson Wednesday, November 12, 2008 Presented by Bay Area Women in Film & Media An intimate discussion with local award-winning filmmaker and artist Lynn Hershman Leeson. A pioneer of the use of interactive
Reel Success Stories: Women Art Revolution (2 of 7)
2008
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2008
video
Reel Success Stories: Lynn Hershman Leeson Wednesday, November 12, 2008 Presented by Bay Area Women in Film & Media An intimate discussion with local award-winning filmmaker and artist Lynn Hershman Leeson. A pioneer of the use of interactive
P2P Gift Credit Card - Gift Finance
2010
video
"This project proposes an alternative financial model based on the Peer-to-Peer architecture for a more equal sharing of wealth in society. It offers an innovative participatory system using counterfeit virtual money. By issuing a visionary and
CodeZebra
2000
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2008
CodeZebraOS is an advanced web based visualization tool and a creative www environment that enables conversations between different individuals and groups on the Internet. Applications include performances, video documentaries; dance performances
ADA
2010
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2014
analog interactive installation / kinetic sculpture / post-digital drawing machine
Remote Sensing
2013
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2013
Plaster, pigment and resin.
Martin Novak
Artist: Martin NovakComment:
MONOCOLOR
MONOCOLOR alias Marian Essl is a Vienna based audiovisual artist. He explores the interrelations between sound and image in both performance-based and installation-based works. His fully generative, algorithmically created imagery oscillates between
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