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COMBATscience Augmented II 2022

... that critically... scientists are juxtaposed...
Ouroboric perception and the effects of enactive affectivesystems to the naturalization of Technologies. 2016

DOMINGUES, DIANA MARIA G. Ouroboric perception and the effects of enactive affective systems to the naturalization of Technologies. Media-N, Journal of the New Media Caucus 16 (2016): 20.
Tendencies in Abstraction: Systems, Technologies, Information 2022 - 2022

Event: Tendencies in Abstraction: Systems, Technologies, InformationInstitution: Gallery SComment:
Daily rituals: the biocybrid body and the naturalization of technologies 2023 - 2023

Event: Daily rituals: the biocybrid body and the naturalization of technologiesInstitution: University of arts LinzComment:
Enactive affective Cane - Bengala enativa afetiva 2020 - 2020

Technologies and M- Health: Challenges and opportunities
HORTUS DIGITALIS 2022

This Augmented reality video is an early short version of the video installation 'Hortus Delicarium'. Its about the dilemma between our changing perception of reality through the interference of emerging technologies and our demand for nostalgy,
The Visitor : Living by Numbers 2002 - 2002

Event: The Visitor : Living by NumbersInstitution: Société des arts technologiquesComment:
Portrait One 2000 - 2000

Event: Portrait OneInstitution: Société des arts technologiquesComment:
The pathos of the city: Wearable mobile technologies in public health 2013

LUCENA, TIAGO FRANKLIN RODRIGUES and SUÉLIA RODRIGUES FLEURY ROSA and CRISTIANO JACQUES MIOSSO RODRIGUES MENDES and DIANA MARIA G DOMINGUES. The pathos of the city: Wearable mobile technologies in public health Ubiquity: The Journal of Pervasive
Rituels Énactifs Affectifs et La Naturalization des Technologies: entre le corps et le calcul, la transe et l’algorithme 2022

DOMINGUES, DIANA MARIA G. Rituels Énactifs Affectifs et La Naturalization des Technologies: entre le corps et le calcul, la transe et l’algorithme In Pour un imaginaire numérique avec Edmond Couchot, edited by Marie-Hélène TRAMUS and Sophie DASTE

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