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  • Ascott, Roy. Das digitale Museum / The Digital Museum In Perspektiven der Medienkunst / Media Art Perspectives, edited by H. Schwartz, 76-83, 183-189. Karlsruhe, Deutschland: Cantz Verlag, 1996.
  • Schwartz, Lillian F. and Laurens R. Schwartz. The Computer Artist´s Handbook: Concepts, Techniques, and Applications. New York: W W Norton and Co, 1992.
  • RECORD>AGAIN! -
    RECORD>AGAIN! 19.09.09–15.11.09 The exhibition of the ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe (Centre for Art and Media Technology) continues its project of the technical and scientific processing of video art initiated by the ZKM in
  • Bredekamp, Horst. Der simulierte Benjamin: Mittelalterliche Bemerkungen zu seiner Aktualität In Frankfurter Schule und Kunstgeschichte, edited by Andreas Berndt and Peter Kaiser and Angela Rosenberg and Diana Trinkner, 117-140. Berlin: Reimer,
  • Schwartz, Lillian F.. Computers and Appropriation Art: The Transformation of a Work or Idea for a New Creation Leonardo 29, no. 1 (1996): 43-49.
  • drift:shift -
    Event: drift:shiftInstitution: Linda Schwartz GalleryComment:
  • Fossil Folds -
    Event: Fossil FoldsInstitution: Art Chicago - Linda Schwartz GalleryComment:
  • Fleischmann, Monika and Wolfgang Strauss and Christian Bohn. Liquid Views In Medien Kunst Geschichte, edited by Hans Peter Schwarz, 108f.. München, DE: Prestel Verlag, 1997.
  • Schwarz, Hans-Peter, ed. Medien - Kunst - Geschichte. Anläßlich der Eröffnung des Museums für Neue Kunst, ZKM, Zentrum für Kunst und Medientechnologie Karlsruhe am 18. Oktober 1997, Medienmuseum th ed.München, London, New York: Prestel Verlag, 1997.
  • An interactive 4 channel video installation for actors and the audience describes the life of the Missionar Jakob Friedrich Ziegler, who moved in the mid-19th Century from Dagersheim near Stuttgart to Dharwar in Karnataka, India. Chris Ziegler: