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  • From Participation to Interaction: Towards the Origins of Interactive Art
    Dinkla, Söke. From Participation to Interaction: Towards the Origins of Interactive Art In Clicking In: Hot Links to a Digital Culture, edited by Lynn Hershman-LeesonSeattle: Bay Press, 1996.
  • Bastard Culture! How User Participation Transforms Cultural Production
    Schäfer, Mirko Tobias. Bastard Culture! How User Participation Transforms Cultural Production. Amsterdam: Amsterdam University Press, 2011.
  • Artistic Gesture: Expression, Communication, Participation
    Kluszczyński, Ryszard W.. Artistic Gesture: Expression, Communication, Participation In Mirosław Rogala: Gestures of Freedom, edited by Ryszard W. KluszczyńskiKraków: Laznia Centre for Contemporary Art, 2001.
  • European Media Art Festival 1988
    The European Media Art Festival was held under this name for the first time in the European Film and Television Year of 1988. The concept envisaged offering visitors and participating artists an informative programme by jointly presenting different
  • 090909 UpStage Festival -
    The 090909 UpStage Festival took place on 9 September 2009 (with bits on the 8th or the 10th depending on where you were in the world). 14 performances by artists across 9 time zones were presented over the 20 hours of the festival, with audiences
  • 2016 Hong Kong and Macao Visual Arts Biennial -
    01 / 09 / 2016 - 10 / 09 / 2016, Beijing Minsheng Art Museum 20 / 09 / 2016 - 08 / 10 / 2016, Dunhuang for The Silk Road Dunhuang International Culture Expo 18 / 10 / 2016 - 29 / 10 / 2016, Henan Art Museum Presented by the Ministry of Culture of
  • History of Computer ArtVI. Net Art: Networks, Participation, Hypertext VI.3 Net Art in the Web
    Thomas Dreher. History of Computer Art VI. Net Art: Networks, Participation, Hypertext VI.3 Net Art in the Web http://iasl.uni-muenchen.de/links/GCA-VI.3e.html#HTML.
  • MyWar: Participation in an Age of Conflict -
    Event: MyWar: Participation in an Age of ConflictInstitution: Agnes Etherington Art CentreComment:
  • Falk Heinrich
    doing research within media art theory with an emphasis on the aesthetics of participation including performativity, beauty, etc.
  • Liminal Spaces video
    Visitors inhabit a dome-space where they move, communicate and interplay with performers. An experience of audience participation and multi-user interaction. Home to layers of performance, image, sound, text and interactivity, the dome space
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