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Computadora, instrumento de un nuevo lenguaje al finazar el siglo XX
1996
Malvido, Adriana. Computadora, instrumento de un nuevo lenguaje al finazar el siglo XX La Jornada (May 20th 1996).
Österreich. Wirklichkeitskonstruktionen, Datenerfassung und Telekommunikation. Weibel, Kriesche, Adrian, Mark, Tanterl, Ruprechter, Schnell
2004
Kacunko,
Sla
vko. Österreich. Wirklichkeitskonstruktionen, Datenerfassung und Telekommunikation. Weibel, Kriesche, Adrian, Mark, Tanterl, Ruprechter, Schnell In Closed Circuit Videoin
sta
llationen, edited by
Sla
vko KacunkoBerlin: Logos, 2004.
House of Impressions. Classic
s a
nd Contemporary of Media Art
2016
-
2016
2016 Pushkin Museum House of Impression exhibition (26.05.2016 – 30.09.2016) Curator: Olga Shishko & Elena Rumyantseva Featuring: Chantal Akerman (Belgium-France), Tatiana Akhmetgalieva (Rus
sia
), Mona Hatoum (USA), Marianne Heske (Norway), Nan
Botox Injections in Larynx a
s a
Treatment for Vocal Cord Dysfunction
2012
Andres-Leonardo Burbano-Ceron and Adriana Barreto-Sosa and Aida Gonzalez-Carsolio and Andrea Aida Velasco-Medina and Guillermo Velázquez-Sámano. Botox Injections in Larynx a
s a
Treatment for Vocal Cord Dysfunction WAO Journal (FEBRUARY 2012):
See No Evil
2021
-
2021
SEE NO EVIL i
s a
drawing and text work in the form of a diary. Through a randomizing algorithm, the artist’s fictitiou
s a
utobiographical text is masked by her original pencil drawings. Twenty-one of these drawings trigger augmented reality
The Sentient Thespian
2018
-
2019
Sentient Thesbian i
s a
theatrical movie about 2 robots.
IN TIME AND
SPA
CE
2006
-
2005
”Joining different life forms, two different DNA, create
s a
n even more beautiful and more resi
sta
nt life form, a stronger DNA. Unknown life forms from other planet came down to Earth, in a silent crash of two worlds.” Using the symbiosis of two
Adrien Sina
Adrien Sina i
s a
n artist and theoretician. He has curated cross-disciplinary exhibitions involving architecture, performance, video and philosophy
Trisolaris Chinoiserie
2021
The animation derives from the chinoiserie style frescos on the Hillside Palace of Pillnitz Castle. Fragments of these appear on revolving globes, like heavenly spheres. The three globe
s a
llude to the science fiction trilogy Trisolaris by Cixin Liu.
Adrianne Wortzel
Adrianne Wortzel has worked in the field of robotic and telerobotic art for over five decades. Her works combine historic and cultural perspectives with fictive narrative to deploy that considered mix in several genres: robotic and telerobotic
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