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Self-Portrait
2010
The Behaviour of Objects is rAndom’s first gallery exhibition in London with Carpenters Workshop Gallery in Mayfair. Exhibiting both ‘Swarm Light’ and ‘Self Portrait‘, the show lays the ground for a significant expansion of the studios’ performative
An Explicit Volume
2001
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2001
An Explicit Volume is an interactive installation comprising nine books arranged in a three by three grid. Each book is operated by an electronic page turner. The project is sited in a darkened space where four red vinyl chairs are arranged facing
GhosTrain Stage 2
2009
Event: GhosTrain Stage 2Institution: Carriageworks SydneyComment:
GhosTrain Stage 2
2009
Event: GhosTrain Stage 2Institution: Carriageworks SydneyComment:
Being There: The Subjective Experience of Presence
1992
Heeter, Carrie. Being There: The Subjective Experience of Presence Presence: Teleoperators and Virtual Environments (Fall 1992).
Dragon
1969
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1969
video
An air-inflated dragon was comissioned for William Klein's film Mr. Freedom. This creature was recycled in a number of urban events where people simply carried it through the streets.
Centipede
1972
An inflatable centipede whose 100 feet were provided for by the people who carried it through the streets. During the Moomba festival it was also floated on the Yarra river in Melbourne.
Driessens & Verstappen
The Amsterdam based artist couple Erwin Driessens (1963 Wessem) and Maria Verstappen (1964 Someren) have worked together since 1990. After their study at the Maastricht Academy of Fine Arts and the Rijksacademy Amsterdam, they jointly developed a
Points of View II - Babel
1983
Points of View II - Babel addressed issues relating to the Falklands War. It was made using the same functional and iconographic structures as Points of View I, but with a differing content.In BABEL hieroglyphs were used to articulate a
Micro Arts Group - Computer Arts Archive/EVA, BCS Moorgate London
2022
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2022
Exhibition of 20 Micro Arts Group prints, including generative art from Geoff Davis and Martin Rootes, and a story generator by Geoff Davis. The print magazine was also shown, which had the first ever view of Quantel art, by French artist Michèle
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