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  • RECORD>AGAIN! -
    RECORD>AGAIN! 19.09.09–15.11.09 The exhibition of the ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe (Centre for Art and Media Technology) continues its project of the technical and scientific processing of video art initiated by the ZKM in
  • Schwartz, Lillian F. and Laurens R. Schwartz. The Computer Artist´s Handbook: Concepts, Techniques, and Applications. New York: W W Norton and Co, 1992.
  • Schwartz, Lillian F.. Computers and Appropriation Art: The Transformation of a Work or Idea for a New Creation Leonardo 29, no. 1 (1996): 43-49.
  • drift:shift -
    Event: drift:shiftInstitution: Linda Schwartz GalleryComment:
  • Fossil Folds -
    Event: Fossil FoldsInstitution: Art Chicago - Linda Schwartz GalleryComment:
  • Fleischmann, Monika and Wolfgang Strauss and Christian Bohn. Liquid Views In Medien Kunst Geschichte, edited by Hans Peter Schwarz, 108f.. München, DE: Prestel Verlag, 1997.
  • Schroeder, Michael and Daniela A. Plewe and Andreas Raab. Ultima Ratio - A Visual Language for Argumentation In Proceedings of International Conference on Information Visualisation, London, UK, edited by IEEE Computer SocietyVol.IV. , 510-515.
  • After studies of Philosophy and esthetic theory in Frankfurt und Paris (1988-1992) a short intermezzo followed as scientific assistant at Museum für Moderne Kunst in Frankfurt am Main. 1992 starting artistic practice with the projekt "Human
  • Bredekamp, Horst. Der simulierte Benjamin: Mittelalterliche Bemerkungen zu seiner Aktualität In Frankfurter Schule und Kunstgeschichte, edited by Andreas Berndt and Peter Kaiser and Angela Rosenberg and Diana Trinkner, 117-140. Berlin: Reimer,
  • Butler, Cornelia and Alexandra Schwartz and Griselda Pollock and Aruna D'Souza, ed. Modern Women: Women Artists at The Museum of Modern Art. New York: The Museum of Modern Art, 2010.