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The Bride descending a staircase
1998
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1998
Event: The Bride descending a staircaseInstitution: Tyler School of Art, Temple UniversityComment:
Quand l'homme de l'ère numérique finira-t-il de descendre de l'arbre ?
1996
Event: Quand l'homme de l'ère numérique finira-t-il de descendre de l'arbre ?Institution: Cyber@rtComment:
Portfólio, DesConcerto.
2004
Michelin, Simone. Portfólio, DesConcerto. ECO-Pós “Televisão, produção, programação, recepção” v.7, no. n.1 (Jan-July 2004): 127- 133.
Selphish. L'exposition de soi
2020
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2020
Selphish. L'exposition de soi Mécènes du sud Montpellier-Sète, May 20th to August 22nd, 2020 Artists: Martin John Callanan, Alix Desaubliaux, Lauren Lee McCarthy Curators : Thierry Fournier and Pau Waelder Participants : Franck Ancel, Flora
Falling Girl
2008
video
Falling Girl is an immersive interactive narrative installation that allows the viewer to participate in the story of a young girl falling from a skyscraper. During her miraculously slow descent, the girl reacts to the people and events in each
Portfólio, DesConcerto.
2004
Michelin, Simone. Portfólio, DesConcerto. ECO-Pós “Televisão, produção, programação, recepção” v.7, no. n.1 (Jan-July 2004): 127- 133.
DesConcerto at Music, Technology and Multimedia series
2003
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2003
the spectacle integrates the concert cycle that the composers of the Nucleus of Experimental and Intermediate Music of Rio de Janeiro (NuMExI / RJ)
Convulsive Tropical Beauty
2014
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2014
Beleza Convulsiva Tropical discute a tensão entre natureza e cultura, o informal e o formal, as situações de enfrentamento entre controle e descontrole que se emaranham à história cultural e urbana do Brasil. Aqui os trópicos são entendidos como uma
Equivalents II
1992
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1992
The "Equivalents II" project has evolved out of an intent to mathematically simulate believable still-images that convey the realism of the photographic. It is based on an interactive computer program that produces abstract, cloud-like images when
Tracing
1997
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1997
Tracing is a two screen projection installation that uses the two-sides of a wall positioned in the middle of the gallery room to contrast two states of cultural difference in the information age. Texts and ambient sounds are continuously projected
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