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  • Weibel, Peter. Das befreite Bild In Kunst, neue Technologien: Standortbestimmung. Schriftenreihe der Hochschule der Künste Berlin, edited by Karl Hofer Symposium 1984Vol.7. , 125-140. Berlin, DE: Colloquium Verlag, 1986.
  • Marc Lee is a Swiss artist. He uses contemporary art as a vehicle to continuously redefine how we see ourselves and the world around us. He is experimenting with information and communication technologies and within his contemporary art practice, he
  • My particular expertise in the history of computer and digital art began in 2002 when I joined an AHRC-funded research group at Birkbeck College, University of London – The CACHe Project (Computer Arts, Contexts, Histories, etc), which investigated
  • Event: Schriftfilme. TypEmotionInstitution: National Taiwan Museum of Fine ArtsComment:
  • Schröder, Käthe, ed. Computerkunst - On the Eve of Tomorrow. Katalog zur Ausstellung, Kubus, Hannover. Hannover, DE: Clarissa -Contemporary-Art and G.-W.-Leibniz-Gesellschaft et. al., 1969.
  • Machines & Souls -
    maquinas&almas - machines&souls "The fairest thing we can experience is the mysterious. It is the fundamental emotion which stands at the cradle of true art and true science". Albert Einstein Curated by Art Futura, at Reina Sofia Museum, Madrid 26
  • A visual/sonic installation that immerses the viewer in quantum phenomenon. Quantum Consciousness is an audio-visualisation of atomic data which indexes the quantum “movement” of an electron. This project delivers an aesthetic and immersive
  • Huang, Jeffrey and Thomas Schroepfer. Internet and Architecture: Explorations in Emerging Architectural / Typologies and Design Processes , 1-12. Pomona, California: 2002.
  • "Art and Body" was the general topic of EMAF 1995. Many artists had chosen the human body to be the focal point of their projects, and they also brought up the question of the influence the expansion of interactive media has on the individual. The
  • Hirsch, Andreas. What´s the Matter with the Institutions of Art? / Was ist mit den Institutionen der Kunst los? In Ars Electronica 2001: Takeover. Wer macht die Kunst von morgen? / Who´s doing the art of tomorrow?, edited by Gerfried Stocker and