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  • Pixels and Places – Video Art in Public Space
    Schreuder, Catrien, ed. Pixels and Places – Video Art in Public Space. Vol.ISBN 978-90-5662-738-6. 1 th ed.Rotterdam: NAi Publishers, 2010.
  • Schriftfilme. Schrift als Bild in Bewegung -
    Event: Schriftfilme. Schrift als Bild in BewegungInstitution: ZKM - Center for Art and MediaComment:
  • Schriftfilme. TypEmotion – Schrift als Bild in Bewegung: Ein dynamisches Archiv -
    Event: Schriftfilme. TypEmotion – Schrift als Bild in Bewegung: Ein dynamisches ArchivInstitution: ZKM - Center for Art and MediaComment:
  • Featured Artist Jeffrey Shaw
    .. In the context of the 1960’s paradigm of installation he started with expanded cinema, performance and participatory environments..
  • Kiyoshi Furukawa
    Composer. His work focuses on the field between music and technology. It ranges from New Music and Electro-Acoustic Composition to Media Art. In 1997 he was commissioned to produce a Multi-Media Opera for the opening of the new building of the ZKM.
  • Das befreite Bild
    Weibel, Peter. Das befreite Bild In Kunst, neue Technologien: Standortbestimmung. Schriftenreihe der Hochschule der Künste Berlin, edited by Karl Hofer Symposium 1984Vol.7. , 125-140. Berlin, DE: Colloquium Verlag, 1986.
  • Schriftfilme. TypEmotion -
    Event: Schriftfilme. TypEmotionInstitution: National Taiwan Museum of Fine ArtsComment:
  • Computerkunst - On the Eve of Tomorrow. Katalog zur Ausstellung, Kubus, Hannover
    Schröder, Käthe, ed. Computerkunst - On the Eve of Tomorrow. Katalog zur Ausstellung, Kubus, Hannover. Hannover, DE: Clarissa -Contemporary-Art and G.-W.-Leibniz-Gesellschaft et. al., 1969.
  • Marc Lee
    Marc Lee is a Swiss artist. He uses contemporary art as a vehicle to continuously redefine how we see ourselves and the world around us. He is experimenting with information and communication technologies and within his contemporary art practice, he
  • Catherine Mason
    My particular expertise in the history of computer and digital art began in 2002 when I joined an AHRC-funded research group at Birkbeck College, University of London – The CACHe Project (Computer Arts, Contexts, Histories, etc), which investigated
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