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  • ... see, I don’t have to effort to see art in a little sparrow...
  • Benayoun, M. and Stephen W. Gilroy and Marc Cavazza. Using affective trajectories to describe states of flow in interactive art International Conference on Advances in Computer Entertainment Technologies (2009).
  • The Virtual Museum is a three-dimensional computer-generated museum constituted by an immaterial constellation of rooms and exhibits. A round, motorised rotating platform is furnished with a large video projection monitor, a computer, and a chair
  • Creation Myth -
    Creation Myth describes the birth of a new environment utilizing unique fractal and particle system software. It was designed for exhibition on Palladium's 50 monitor video display system. (Rebecca Allen)
  • RED DROP
    The code of this Java-applet describes the movement of a red polygon. There are two modes: Whenever the viewer clicks on the screen, the polygon is attracted to the mouse pointer and forms a flexible circular drop that can be dragged around the
  • Lila Moore is a pioneering artist, filmmaker, screen choreographer, networked performance and mixed reality creator. She holds a practice-based PhD in Dance on Screen from Middlesex University (2001, UK) in the context of modern and contemporary
  • Preghiera -
    One computer mouse is attached to another face to face and both hang from the ceiling, suspended on their own cables. This describes the “raw” material of this installation, where light is simply the red glow emitted by the optical sensor on each
  • Imagining Macondo -
    Imagining Macondo is a public artwork that commemorates Nobel Prize-winning author Gabriel Garci?a Ma?rquez. It was first showcased at the Bogota International Book Fair in April 2015 to an audience of more than 300,000 over the course of two weeks.
  • March -
    In his children's novel Haroun and the Sea of Stories, Salman Rushdie describes an Ocean of Streams of Story containing currents of narrative in fluid form, "weaving in and out of one another like a liquid tapestry of breathtaking complexity."
  • William Kentridge describes Johannesburg, South Africa, providing a social and historical context for his animated films, including "Johannesburg, 2nd Greatest City after Paris" (1989). Excerpted from William Kentridge: Anything Is Possible, a film