Archive Search

  • Deepwater Horizon -
    This work is the result of the overlapping of the most viewed worldwide YouTube videos since 20th of April 2010, day of the Deepwater Horizon drilling rig explosion, one of the biggest environmental disaster in recent years. I took these videos for
  • From the curatorial essay by Christina Oyawale and Karina Iskandarsjah: "In this age of instant information and global communication, a key component of the machinery that assembles our 'borderless' world is the global shipping industry. Every year,
  • video 6,'08 Album: Algida Bellezza, Netherworld (Glacial Movements) The video for the track Orcinus Orca followed the release of the album Algida Bellezza (Alessandro Tedeschi aka Netherworld, Glacial Movements, 2019). The music captured artist’s
  • Pine Family -
    Tree Story brings together creative practices from around the world to create a ‘forest’ of ideas relating to critical environmental and sustainability issues. At its foundation—or roots—are Indigenous ways of knowing and a recognition of trees as
  • Davide Bevilacqua is a media artist and curator interested in network infrastructures and technological activism, as well as experimental presentation formats for artistic work and research. His current research deals with the environmental and
  • Fisher, Scott S.. Environmental Media: Linking Virtual Environments to the Real World In Creative Digital Media: Its Impact on the New Century, Tokyo, Japan: Keio University Press, 2001.
  • Polli, Andrea. Sonifications of Global Environmental Data In Environmental Sound Artists: In Their Own Words, edited by Frederick Bianchi and V.J. Manzo, 3-8. Oxford: Oxford University Press, 2016.
  • The biopoem "Erratum I" is what Kac calls a "biotope", that is, a living work that changes in response to internal metabolism and environmental conditions, including temperature, relative humidity, airflow, and light levels in the exhibition space.
  • Born in Adelaide, Australia in 1957, new media artist Simon Biggs emerged as one of a small number of Australian artists during the 1970’s who were experimenting with electronic and digital media. With initial influences from diverse sources, such
  • D´Agostino, Peter. CO-OR: 0/1: A Report on Analog and Digital Modalities as a Resource for Cultural Sustainability In The International Conference on Environmental, Cultural, Economic and Social Sustainability, : 2005.