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  • Speakeasy is a telephone service that connects new immigrants with bilingual community members who are familiar with local resources and social service options. This project provides access to language interpretation wherever it is needed. To use
  • EVALUATION OF PHYSIOLOGICAL VARIABLES in an unusual context, that is, non-clinical or laboratory, using a T-shirt developed by undergraduate students in Electronic Engineering and Masters in Biomedical Engineering, with sensors capable of measuring
  • Ca. 1980, Brooklyn-based artist John Klima attempted to code a 3D maze on a TRS-80 with 4k RAM and failed miserably, but has been obsessed with 3D graphics ever since. Contracting for companies such as Microsoft, Turner Broadcasting, and Dun &
  • The 2008 Festival runs from May 29 to June 1st, with the Holography workshop occurring on the weekend previous, May 24 and 25th. Please use the tabs to your right to navigate our most current schedule. Note that the schedule is subject to change.
  • egoscope -
    egoscopio engaged new subjectivity formats, reception amidst processes of entropy and acceleration, and transformation of the interface into the message, exploring the context of confusion between art, advertising, and information that digital
  • Poetrica -
    Poetrica is an investigation about reading and reception in entropic and cybrid situations and a practice of appropriation of the advertisement system as public space. It was launched at Galeria Vermelho, in São Paulo, 2003, and closed in
  • Scheige, Gerardo.. Der Klang des Köerpers Neue Zeitschrift für Musik , no. 2018/03 (2018): 56.
  • Scheige, Gerardo.. Der Klang des Köerpers Neue Zeitschrift für Musik , no. 2018/03 (2018): 56.
  • Rewind to the future -
    Rewind to the future mit Eija-Liisa Ahtila, Dara Birnbaum, Klaus vom Bruch, Peter Campus, Luc Courchesne, Jordan Crandall, Stan Douglas, Douglas Gordon, Dan Graham, Ingo Günther, Gary Hill, Nan Hoover, Felix Stephan Huber / Philip Pocock, Jodi ,
  • Scheige, Gerardo.. Der Klang des Köerpers Neue Zeitschrift für Musik , no. 2018/03 (2018): 56.