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reservoir_bots v.2 GameMod vor a VJ
2004
-
2004
... an "emersive media environment". (source: syl-eckermann.
net
) in cooperation with various sound
art
ists: Peter Szely, Christof Cargnelli, Electric Indigo --- Resembling a flaneur in an unknown city the bot...
Plan-it!
2000
-
2000
... statistical data from the voting. (source: syl-eckermann.
net
) was designed to be a synthesis of contemporary architecture,
art
, electronic media, and information about aspects of the mind,...
Expositur - a virtual knowledge space
2001
-
2002
... based upon a computer game. (source: syl-eckermann.
net
)
fluID - arena of identities
2003
-
2003
... how to get rid of them again?) (source: syl-eckermann.
net
) What is an identity? It is the idea that single p
art
s of yourself belong together. It is the idea that your past, your...
GeoSCAPE
1999
-
2000
GeoSCAPE is a reconstructive tool for capturing measurement data in field archaeology and facilitating a 3-D visualization of an excavation rendered in computer graphics. This project is carried out by extending a recently developed
Triangles and Narratives
1999
-
2000
... pieces connect together both physically and digitally with mag
net
ic and conductive connectors. When the pieces connect together, they...
ClearBoard
1990
-
1995
... shared workspace using familiar everyday cues such as the p
art
ner's gestures, head movements, eye contact, and gaze...
FemCity
2002
-
2003
... Bhagat, Shanghai Nov. 2002) (source: syl-eckermann.
net
) life-styles, career plans and personal dreams. At the st
art
ing point of the game, the players are set up in an urban...
NANO Mandala
2004
-
2004
... of an ancient tradition that consecrates the pla
net
and its inhabitants to bring about purification and healing. The... The Nanomandala is an installation by media
art
ist Victoria Vesna, in collaboration with nanoscience pioneer James Gimzewski. The...
Desire of Codes
2005
-
2011
video
In an information-oriented society, the encoding of individual information occurs immediately, almost as fast as the satisfaction of a desire. Our consumption habits, our criminal history, our chronic diseases, even our photographs taken by a
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