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  • Catherine Mason
    My particular expertise in the history of computer and digital art began in 2002 when I joined an AHRC-funded research group at Birkbeck College, University of London – The CACHe Project (Computer Arts, Contexts, Histories, etc), which investigated
  • 25th Anniversary of the Fall of the Wall - Commemorative Events -
    Opening Remarks: Consulate General of Germany Rolf Schuette and CSSH Dean Uta Poiger Keynote address: Tamiko Thiel and Teresa Reuter, artists
  • Marc Lee
    Marc Lee is a Swiss artist. He uses contemporary art as a vehicle to continuously redefine how we see ourselves and the world around us. He is experimenting with information and communication technologies and within his contemporary art practice, he
  • European Media Art Festival 1995: Art and Body
    "Art and Body" was the general topic of EMAF 1995. Many artists had chosen the human body to be the focal point of their projects, and they also brought up the question of the influence the expansion of interactive media has on the individual. The
  • Planet of Visions -
    Exposition universelle de Hanovre En collaboration avec François Schuiten, Conception et réalisation de l'ensemble des dispositifs multimédia 11 tables panoramiques faisant appel à la réalité augmentée. Animation dynamique d'éléments
  • QUARXS 90S
    At the beginning of the 90s, Quarxs was the very first 3D graphics HD TV series widely awarded as a pioneer TV program. Conceived in collaboration with comics author Francois Schuiten and Benoît Peeters, it has become a reference in the history of
  • Quarxs-Pilote
    Event: Quarxs-PiloteInstitution: Les cités obscures, Schuiten/PeetersComment:
  • Quarxs à la Brain Factory: Dialogue between Maurice Benayoun and François Schuiten
    Event: Quarxs à la Brain Factory: Dialogue between Maurice Benayoun and François SchuitenInstitution: Machines à dessiner à l'heure du numérique, Musée des arts et métiersComment:
  • What´s the Matter with the Institutions of Art? / Was ist mit den Institutionen der Kunst los?
    Hirsch, Andreas. What´s the Matter with the Institutions of Art? / Was ist mit den Institutionen der Kunst los? In Ars Electronica 2001: Takeover. Wer macht die Kunst von morgen? / Who´s doing the art of tomorrow?, edited by Gerfried Stocker and
  • Digital Preservation: Recording the Recoding. The Documentary Strategy / Digitale Konservierung: Die Aufzeichnung der Neukodierung. Die Strategie der Dokumentation
    Depocas, Alain. Digital Preservation: Recording the Recoding. The Documentary Strategy / Digitale Konservierung: Die Aufzeichnung der Neukodierung. Die Strategie der Dokumentation In Ars Electronica 2001: Takeover : Who's doing the Art of Tomorrow =
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