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Real and Virtual Light of Relational Architecture: an Interview with Rafael Lozano-Hemmer
2002
Lozano-Hemmer, Rafael. Real and Virtual Light of Relational Architecture: an Interview with Rafael Lozano-Hemmer In Uncanny Networks - Dialogues with the Virtual Intelligentsia, edited by Geert LovinkCambridge, MA: MIT Press, 2002.
Relational Architecture: „Voz alta“ (Loud Voice), Rafael Lozano-Hemmer
2015
GEMMA ARGUELLO MANRESA. Relational Architecture: „Voz alta“ (Loud Voice), Rafael Lozano-Hemmer In PERFORMING CULTURES, edited by JAKUBPETRI, 43-51. KRAKOW: Institute of Philosophy of Jagiellonian University, 2015.
Rafael Lozano-Hemmer: Amodal Suspension
2003
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2003
Event: Rafael Lozano-Hemmer: Amodal SuspensionInstitution: Yamaguchi Center for Arts and Media (YCAM)Comment:
Rafael Lozano-Hemmer: Relational Architectures
2003
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2003
Event: Rafael Lozano-Hemmer: Relational ArchitecturesInstitution: Bo01 City of TomorrowComment:
Real Time. Art en temps real
2016
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2016
Real Time. Art en temps real Arts Santa Mònica 28.01 – 10.04.2016 Artists: Guillem Bayo, Clara Boj i Diego Díaz, Martin John Callanan, Grégory Chatonsky, Thierry Fournier, Varvara Guljajeva i Mar Canet, Rafael Lozano-Hemmer, Nicolas Maigret, Katie
Liquid Views
1994
Fleischmann, Monika and Christian Bohn and Wolfgang Strauss. Liquid Views In Arte Virtual, edited by Rafael Lozano-HemmerMadrid, ESP: Electa Edition, 1994.
Interactive Plant Growing
1994
Sommerer, Christa and Laurent Mignonneau. Interactive Plant Growing In Arte Virtual - Doce propuestas de Arte Reactivo, edited by Rafael Lozano-HemmerMadrid: Electa Edition, 1994.
Liquid Views
1994
Strauss, Wolfgang and Monika Fleischmann. Liquid Views In Arte Virtual, edited by Rafael Lozano-HemmerMadrid, ES: Electa Edition, 1994.
Extimidad. Arte, Intimidad y Tecnología. / Extimacy. Art, intimacy and technology
2011
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2011
Inside the immense flow of data exchange, the new technologies have facilitated an interdependency between the spheres of what is private and what is public, between interior and exterior, leading us to reveal, in an increasingly natural manner, our
Sometimes Always/Sometimes Never
2005
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2007
Sometimes Always / Sometimes Never / Sometimes discusses the visual horizons of nomadic culture and its entropic and saturated environments. Its point of departure is that nowadays life is seen through windows and screens and each moment appears as
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