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Pixels and Places – Video Art in Public Space
2010
Schreuder, Catrien, ed. Pixels and Places – Video Art in Public Space. Vol.ISBN 978-90-5662-738-6. 1 th ed.Rotterdam: NAi Publishers, 2010.
Presence in the Mindfield: art, identity,and the technology of transformation
2011
Ascott, Roy and L. M. Girao. Presence in the Mindfield: art, identity,and the technology of transformation. Aveiro, Portugal: Universidade deAveiro, 2011.
On the map: Artist Interview
with
Sylvia Grace Borda
2004
... Magazine Tokyo, J
apa
n (2004). Artist Interview
with
Sylvia Grace Borda Oops...
Exploring Color Photography. From Film to Pixels
2015
Hirsch, Robert, ed. Exploring Color Photography. From Film to Pixels. 6 th ed.New York/London: Focal Press, 2015.
Preview of the 121212 UpStage Festival of Cyberformance
2012
Bent, Eliza. Preview of the 121212 UpStage Festival of Cyberformance American Theatre Magazine (December 2012): 60.
Halycon Arts Lab brings Future to the Present
2018
Royce, Aaron. Halycon Arts Lab brings Future to the Present Washington Life Magazine (October 2018).
A multi-perspective approach to knowledge production
2014
Seaman, Bill. A multi-perspective approach to knowledge production Kybernetes 43 (October 2014): 1412 - 1424.
Grafični zvok - sinteza zvoka s svetlobo.
2015
Lavoslava Benčić. Grafični zvok - sinteza zvoka s svetlobo. Medijska vzgoja in produkcija. [Spletna izd.] , no. 1 (jan./dec 2015): 6.
Three Questions: A Holy Trinity or Three Blind Mice
2017
Anker, Suzanne. Three Questions: A Holy Trinity or Three Blind Mice Institutional Critique to Hospitality: Bio Art Practice Now (May 2017): 37-50.
The Use of Bio-interfaces in Interactive Multimedia Works: Two Examples.
2010
Robles, Claudia. The Use of Bio-interfaces in Interactive Multimedia Works: Two Examples. http://people.brunel.ac.uk/bst/vol1001/claudiarobles/.
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