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Julius Popp develops interdisciplinary works in which art and science converge. He trained as a photographer and studied at the Hochschule für Grafik und Buchkunst in Leipzig. Popp has exhibited his work internationally. In 2003 he won the Robot

"Cloud" is a monumental kinetic installation hanging suspended in the Great Hall at the Ontario Science Centre. One hundred identical sculptural elements, arranged in ten by ten grid, are rotated at slightly differing speeds by computer-controlled

Urban DataScape is an interactive multimedia installation to immerse yourself in the heart of the Parisian climate issues. Designed for the Banks of the Seine, this work inaugurates the launch ArtCOP21, a cultural event on climate change that will

Partner: Dmitry Gelfand Camera Lucida creates a fleeting ephemeral materiality by intersecting ultrasound with hyperlight, in essence it creates an unstable sonic aurora. Developed in collaboration with numerous physics research labs the

4 projector slide dissolve work 2010 The work is a meditative piece that follows the 10 or more ways that come together in the cell to cause it to die and us to age; the protein debris that accumulates, the chromosome damage produced, etc. etc. The

In its 2006 Gallery, the journal Nature chose an image that spatially lays out different areas of science in a plane. It is a reduction of a large-format (42" x 43") paper print. The map was constructed by sorting roughly 800,000 scientific papers

Partner: Evelina Domnitch Camera Lucida creates a fleeting ephemeral materiality by intersecting ultrasound with hyperlight, in essence it creates an unstable sonic aurora. Developed in collaboration with numerous physics research labs the

Celestial Mechanics is an artwork intended to be viewed in a planetarium dome. Instead of stars and planets, the ‘night sky’ program reveals many of the aerial technologies hovering, flying, and drifting above us. The project mixes science,

Chromatic Shifts is a dynamic light installation that explores perceptual changes of shape at a cognitive level. Rhythmic pulses of color illuminate ambiguous and “impossible” shapes as they appear to shift between two and three dimensions.

In this impressive poster developed by Dick Klavans and Bradford Paley, with the help of Kevin Boyack and ISI data, one can see the variations in how different nations pursue science. The concept is not only ingenious but also takes full advantage