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Raumatmen / wetf(r)iction
2005
-
2005
in cooperation with Peter Szely (Sound) --- The inside skin of a space station is enveloped in large size projections. The space station is not comprised of inflexible, rigid material - it is not hardware but wetware - it is a breathing, living
Passion5
2005
-
2005
The intervention of Knowbotic Research includes several, sometimes contradictory levels. On the one hand, it reflects political culture in the early 21st Century, pointing to its limits. mutate to a worker moving recorded chants to mere sound that
Water Bowls
2006
-
2006
... scientific observations as the source... (source: vv.
art
s.ucla.edu)
LPDT2
2010
-
2010
... Life® incarnation of Roy Ascott's groundbreaking new media
art
work La Plissure du Texte ('The Pleating of the Text'), created in...
Morel´s Panorama
2003
-
2003
Digital video installation Custom-made panorama camera, PC, data projector, Macintosh, loud speakers In Morel's Panorama, imagery fed from a panoramic camera (installed in the centre of the gallery) is mapped onto a rendered cylindrical image
Room for Manoeuvre
2006
-
2007
... advanced network and media projects since the founding of the
art
ist group in 1991. In a specially designed audio-visual...
Be prepared tiger
2005
-
2006
... not originally designed for military missions are cut-away p
art
s of one boat's cockpit that were found lying on the jungle floor....
My Black Cat
2009
-
2009
In a series of 'test cases', Knowbotic Research investigate the construction of identity, power, and communication.The installation Black_Cat confronts the constitution of subjectivity under the current post-media condition. In this installation,
datamatics [prototype-ver.2.0]
2006
-
2008
... audiovisual concert in Ryoji Ikeda's datamatics series, an
art
project that explores the potential to perceive the invisible...
data.spectra
2005
-
2005
data.spectra is the first work of the data.series. Across the entire width of a darkened room is an intensely bright, narrow screen. On moving closer, the screen reveals that the source of the flood of light into the room is a vast array of tiny
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