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  • Noll, A. Michael. The Digital Computer as a Creative Medium IEEE Spectrum IV, no. 10 (October 1967): 89-95.
  • 11.
    Diamond Lake Apocalypse, Pathway, 1993
    22" by 30"
    Pen plotted drawing.

    12.
    Diamond Lake Apocalypse, Burning Bush, 2000
    23" by 29"
    Pen plotted drawing.

    13.
    Diamond Lake Apocalypse, Canon I, 1999
    23" by 29"
    Pen plotted drawing.
  • The next period in Seaman's oeuvre employed video as a poetic technological vehicle, exploring sound, image and text relations within a slow pulsing hypnotic video space. Both linear tapes and video installations were produced. The tapes S.He (1983),...
  • Thiel, Tamiko. The Design of the Connection Machine Design Issues 10, no. 1 (Spring 1994): 5-18.
  • Thiel, Tamiko. The Design of the Connection Machine In The Designed World: Images, Objects, Environments, edited by Richard Buchanan and Dennis Doordan and Victor Margolin, 155-166. Oxford/New York: Berg, 2010.
  • Domingues, Diana. The Desert of Passions and the Technological Soul In Digital Creativity, edited by Colin Beardon and Lone Malmborg and Masoud YazdaniVol.9. , 11-18. : Swets and Zeitlinger Publishers, 1998.
  • A premier survey of California-based McPhee’s experimental films from 2002-2011 will screen at 21:00 , 15 April , 2011 at Freies Museum, Potsdamer Strasse 91 Berlin. Curated by Klaus W. Eisenlohr of Director’s Lounge, Berlin.
  • Fischer, Hervé. The Decline of the Hollywood Empire. Vancouver: Talon Books, 2006.
  • The Dead | Taylor Mead - documentationArtist: Alexander HahnComment:
  • Grau, Oliver and Christian Berndt. The Database of Virtual Art: For an Expanded Concept of Documentation edited by Paris Ministère de la Culture et de la Communicacion, 2-15. : 2003.