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Dein Code ist so verdammt elegant
2002
Baumgärtel, Tilman. Dein Code ist so verdammt elegant http://www.taz.de/1/archiv/?dig=2002/11/02/a0229 [21.10.2014].
On Sourcery and Daemons, or Code as Fetish
2008
Kyong Chun, Wendy Hui. On Sourcery and Daemons, or Code as Fetish Configurations: the Journal of the Society for Literature, Science, and the Arts , no. 16 (2008): 299-324.
Creative Code
2004
Maeda, John. Creative Code. London: Thames&Hudson, 2004.
Breaking the Navajo Code with Bill Toledo
2016
Andrés Burbano and Esteban García Bravo. Breaking the Navajo Code with Bill Toledo Artnodes. Revista de arte, ciencia y tecnología , no. 16 (2016): 26-33.
Alexandra Ehrlich Speiser
Manifesting randomness Alexandra Ehrlich-Speiser creates manifestations of the random. Using arbitrary decisions and consciously brought about glitches in machines and digital systems she creates poetic experiences that recontextualize the
ALGORITHMIC TRANSFORMATIONSFROM ART BY HAND TO ART BY CODE
2015
Verostko, Roman. ALGORITHMIC TRANSFORMATIONS FROM ART BY HAND TO ART BY CODE. Pennsylvania: The Saint Vincent Gallery, 2015.
Computer poems. Dall’archeologia al source code poetry
2016
Aprile Francesco. Computer poems. Dall’archeologia al source code poetry. Vol.september 2016. Utsanga.it th ed.Italy: Utsanga.it, 2016.
source code poetry (2016, in Digicult, nov. 2018)
2018
aprile, francesco. source code poetry (2016, in Digicult, nov. 2018). Vol.novembre 2018. novembre, novembre 2018 th ed.Digicult.it: Digicult, 2018.
LAb[au]
LAb|au| developed a transdisciplinary and collaborative approach based on different artistic, scientific and theoretic methods, examining the transformation of architecture and spatio-temporal structures in accordance to the technological progress
Lauren Lee McCarthy
Lauren Lee McCarthy (she/they) is an artist examining social relationships in the midst of surveillance, automation, and algorithmic living. She is a 2021 United States Artist Fellow, 2020 Sundance New Frontier Story Lab Fellow, 2020 Eyebeam Rapid
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