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  • Strauss, Wolfgang and Monika Fleischmann. Interaktivität - Neue Erzählweisen nach dem Kino SaarLorLux audiovisuell 1/96 1 (1996).
  • Net_Condition -
    Net_Condition. MECAD. Sabadell (BCN), ZKM-Zentrum für Kunst und Medientechnologie (Karlsrhuhe), ICC-InterCommunication Center (Tokyo) Steirischer Herbst99 (Graz), 1999-2000
  • Sabapathy, T.K. and Michelle Lim, ed. ADM 10th Anniversary Faculty Show "Beyond the Horizon" Catalog. Singapore: Nanyang Technological University, 2015.
  • Excéntrica -
    Stereoscopic Short Film. Partially funded by a Sabbatical Leave Fellowship of the FCT (Fundação para a Ciência e a Tecnologia), Portugal. Developed at the University of the Basque Country, Spain, and the Polytechnic University of Madrid, Grupo de
  • Uncertain Space -
    Work in progress. Partially funded by a Sabbatical Leave Fellowship of the FCT (Fundação para a Ciência e a Tecnologia), Portugal. Developed at CeDInt, Polytechnic University of Madrid R&D+i center for Energy Efficiency, Virtual Reality Group,
  • The digital collages (3 shown here by Tamiko Thiel, and 3 others by Teresa Reuter/Sabe Wunsch) show scenographies of the Berlin Wall that are conceived as associative spaces of memories - by mixing temporal and geographical elements as well as
  • Event: CODE_n exhibitionCurated by Peter Weibel with Giulia Bini Sabiha Keyif, Daria Mille, and Philipp ZieglerInstitution: ZKM - Center for Art and MediaComment:
  • Arte Cubano Ediciones y Centro de Arte Contemporâneo Wilfredo Lam, ed. Decima Bienal de La Habana, Integración y Resistencia; catalog;. ISBN 959-7178-11-7, Sevilla, Spain: Escadón Impressores, 2009.
  • Arte Cubano Ediciones y Centro de Arte Contemporâneo Wilfredo Lam, ed. Decima Bienal de La Habana, Integración y Resistencia; catalog;. ISBN 959-7178-11-7, Sevilla, Spain: Escadón Impressores, 2009.
  • Crystal Math. 1-channel video, 5.1 sound, 5000 m nylon-wire With thousands of meters of nylon threat Sylvia Eckermann produced a spider web that serves as the captivating projection screen for her "expressive verbal image" (Sabine Dreher) with which