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  • Uršula Berlot, Kaleidoscopic Gaze, 2010 video projection onto an image on a mirror (video loop 6′); two mirrors (90 x 180 cm; 90 x 110 cm), foil covering, projection and reflected light Site specific video installation; variable dimensions Uršula
  • Figment
    Figment offers an experience of the digital sublime, which overlaps with our perception of the digital, landscape, our relationship with each, and the fundamental questions that follow, peering into the nature of our existence. In Figment, rendered
  • George Legrady and Abigail Solomon-Godeau. Refraction George Legrady https://www.mat.ucsb.edu/~g.legrady/glWeb/Projects/re/refraction.html.
  • George Legrady and Abigail Solomon-Godeau. Refraction George Legrady https://www.mat.ucsb.edu/~g.legrady/glWeb/Projects/re/refraction.html.
  • RADIANCE. She Who Sees The Unknown: Kabous, The Right Witness, and The Left Witness https://www.radiancevr.co/artists/morehshin-allahyari/.
  • Gates-Stuart, Eleanor and Sergio Mononi. Deep Rooted Vision https://earth-our-home.siggraph.org/deep-rooted-vision/ 28.01.2022.
  • Gates-Stuart, Eleanor and Sergio Mononi. Deep Rooted Vision https://earth-our-home.siggraph.org/deep-rooted-vision/ 28.01.2022.
  • Gates-Stuart, Eleanor and Sergio Mononi. Deep Rooted Vision https://earth-our-home.siggraph.org/deep-rooted-vision/ 28.01.2022.
  • Gates-Stuart, Eleanor and Sergio Mononi. Deep Rooted Vision https://earth-our-home.siggraph.org/deep-rooted-vision/ 28.01.2022.
  • Everitt, Dave and Fania Raczinski. Creative Visualisation of Magic Squares Proceedings of EVA London 2020 (EVA 2020) https://doi.org/10.14236/ewic/eva2020.39 (2020).