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  • Simanowski, Roberto, ed. Digitale Medien in der Erlebnisgesellschaft. Kultur - Kunst - Utopien. Reinbeck bei Hamburg: rowohlts enzyklopädie, 2008.
  • Light Sounds Live! (2008, live digital media audio-visual performance) David R. Burns uses his imagination and custom digital performance technology to create Light Sounds Live!, a live interactive performance. Using projected color and light, Burns
  • Chris Salter. Dramaturgies of Sound: Interactive Sound Design in Live Performance In Proceedings for the 1st International Workshop in Sonic Interaction Design, Florence, Italy: 2008.
  • bit.flow mk2 -
    julius popp bit.flow mk2, 2007-2008 Mixed media Courtesy: Dogenhaus Galerie, Leipzig Navigation through the modern world is no longer linear; the thread cannot serve as a model for its description. In bit.flow mk2 dozens of tiny pieces of the
  • Triennale di Milano VISIONI DIGITALI: FUTURE CINEMA - TRAILER Special Guest Incontro con Maurice Benayoun new media artist Anteprima Computer Animation Festival - SIGGRAPH 2008
  • Matt Pyke (b. 1977, UK) formed the multi-disciplinary design studio Universal Everything after many years with seminal design agency The Designers Republic. Universal Everything features an ever-growing network of programmers, artists, designers and
  • Sommerer, Christa and Laurent Mignonneau and Lakhmi C. Jain. The Art and Science of Interface and Interaction Design. Heidelberg: Springer Verlag, 2008.
  • Kusch, Martin. Body, Space, Movement and Interactive Technologies in the Performance-Installation Passage In Interface Cultures, edited by C. Sommerer and D. King and L. Mignonneau, 237-243. Bielefeld: Transcript Verlag, 2008.
  • This project explores the value of immaterial production in a virtual world, and if and how this can be transferred into an economy of material production. We have collected a series of immaterial objects produced and owned by inhabitants in the
  • Augé, Marc and José Jiménez and Mary Anne Staniszewski. On Translation: Petit et Grand. Muntadas. París, France: Instituto Cervantes, 2008.