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Razzmatazz
1993
...Transmitted to
Muse
o Internacional de Electrografia, Cuenca, Spain, 1993, and exhibited in Muestra Internacional de Fax Art, Facultad de Bellas Artes, Cuenca, Spain, 1993.
Group Exhibition of Re-Collect in Currents International New Media Festival
2014
...Event: Group Exhibition of Re-Collect in Currents International New Media FestivalInstitution: El
Muse
o Cultural de Santa FeComment:
LEDA MELANITIS
2018
What is transgenic art? How does it influence the landscape of contemporary visual art culture? What is the relationship between art, science, and life? This book focuses on important artistic developments brought forward by the use of genetic
Julieta Agriano
... symbolic production in Latin America and the world. As an invited curator she has design technology educational programs at
Muse
o Latinoamericano de Arte Latinoamericano (MALBA) and Espacio de Arte Fundación OSDE. As a professor, she actually coordinates...
Architecture scénographies interactives
2000
-
2000
Dans les projets de conception d’exposition, je m’efforce de considérer la scénographie comme une composante significative du message véhiculé par le projet muséographique. Nous sommes en effet passés d’une époque où le muséographe avait
Art virtuel et muséographie
2003
Event: Art virtuel et muséographieInstitution: IngeniriumComment:
Parcours multimédia de l'Abbaye Royale de Fontevraud
2000
-
2000
Conception et direction artistique du projet Fresque numérique haute définition par Alain Escalle Conception muséographique des dispositifs interactifs Programmes multimedia en collaboration avec Hyptique Mise en musique du cloître
La muséographique en acte
2005
Event: La muséographique en acteInstitution: ICHIM 05, Bibliothèque Nationale de FranceComment:
Cosmopolis
2005
... and makes Asian and Western viewpoints converge in a symbolic and interrogating way. Exhibition places * Science
Muse
um, Shanghai, China, 2005 * Three Gorges
Muse
um, ChongQing, China, 2005 * Exhibition Center, Chengdu, China 2005 *...
Pure Land 360
2012
... and operational paradigms for the future of digital preservation, cultural heritage interpretation and an embodied
muse
ography. © Jeffrey Shaw
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