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Border Control: Traversing Horizons in Media Practice
2019
-
2019
Curated by Allison Collins in collaboration with Carrie Edinger and Srimoyee Mitra. Presented in partnership with the New Media Caucus. Human migration i
s a
defining issue of the 21st century, often calling into question the relevance, role, and
US Department of Art and Technology
2001
-
2008
The "US Department of Art & Technology" i
s a
n artist-led, virtual government agency. The US DAT function
s a
s a
conduit between the art
s a
nd the broader political and economic culture for facilitating the artist' need to extend aesthetic inquiry
ADA_Feature_Sommerer_Mignonneau_author_Zamora.pdf
SOMMERER &MIGNONNEAUThe Archive of Digital Art, 03/2023Text & Interview by Carla Zamora“A dark room. It contains plants, and there’
s a
large-format projection in thebackground. A group of astonished individual
s a
re touching the plants –
Evolved Virtual Creatures
1994
-
1994
This video shows results from a re
sea
rch project involving simulated Darwinian evolutions of virtual block creatures. A population of several hundred creatures is created within a supercomputer, and each creature is tested for their ability to
Liquid Selves
1992
-
1992
This piece depicts the upcoming struggle between the virtual and physical sides of our selves. As technology brings us the age of virtual worlds, our existence as individuals becomes les
s a
nd less dependent on our physical being. Our virtual
Tanja Vujinovic
Tanja Vujinovic i
s a
media artist working internationally since 1997. Her works have been exhibited at numerous gallerie
s a
nd museum
s a
round the world. She graduated in Painting from the Faculty of Fine Arts, University of Arts in Belgrade in
Life
Spa
cies II
1999
-
1999
video
"Life
Spa
ciesII" was originally developed for the ICC InterCommunication Museum in Tokyo as part of the museum's permanent collection. It i
s a
n artificial life environment where remotely located visitors on the Internet and the on-site visitors
Points of View I
1983
video
Points of View wa
s a
'theatre of signs' with both
sta
ge and protagonists being provided by a three-dimensional computer graphics simulation that was video projected onto a large screen in front of a
sea
ted audience. The action of the work was
Genesis
1999
-
1999
Genesis i
s a
transgenic artwork that explores the intricate relationship between biology, belief systems,information technology, dialogical interaction, ethics, and the Internet. The key element of the work i
s a
n "artist's gene", a synthetic gene
SonoMorphis
1998
-
1998
video
An organic object is projected in front of the visitors. By means of a control mechanism the user can rotate the object in all direction
s a
nd observe it from various perspectives. Control slider
s a
llow the viewer to vary diverse parameters of the
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