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  • Mitchell, W. J.. Repräsentation In Was heisst "Darstellen"?, edited by Christiaan L. Nibbrig-HartFrankfurt/Main: Suhrkamp, 1994.
  • Pape, Helmut. Die Unsichtbarkeit der Welt. Eine visuelle Kritik neuzeitlicher Ontologie. Frankfurt/Main: Suhrkamp, 1997.
  • Weibel, Peter. Video als Raumkunst In Video – Apparat/Medium, Kunst, Kultur. Ein internationaler Reader, edited by Siegfried Zielinsky, 147-151. Frankfurt/Main, Bern, New York, Paris: Peter Lang Verlag, 1992.
  • Agnes Hegedüs, born in Budapest in 1964 studied Photography and Video Art at the Budapest Academy of Applied Arts, followed by the Minerva Academy, Groningen, the Kunstakademie Enschede and the Institute of New Media, Städelschule, Frankfurt/Main.
  • Philosophy Bachelor, Madrid Autónoma University (UAM), Fine Arts PhD, Barcelona University (UB): "Robotics as Artistic Experimentation. A Historical Approach to the Evolution of Automaton Machines from the Perspective of the Aesthetics". Currently,
  • Deleuze, Gilles. Das Bewegungs-Bild (Kino I). Frankfurt/Main: Suhrkamp, 1989.
  • Weibel, Peter. Der Bruch des Bildes. Vom Tafelbild zum Bildschirm In Computer art faszination, edited by Dotzler Medien Institut, 25-31. Frankfurt/Main: Suhrkamp, 1990.
  • Deleuze, Gilles. Das Zeit-Bild (Kino II). Frankfurt/Main: Suhrkamp Taschenbuch Wissenschaft, 1996.
  • Weibel, Peter. Die virtuelle Stadt im telematischen Raum. Leben im Netz und in Online-Welten In Mythos Metropole, edited by Gotthard Fuchs and B. Moltmann and W. Prigge, 209-222. Frankfurt/Main: Suhrkamp Verlag, 1995.
  • Hartmut Jahn is a German artist, film-director and author in the field of media. He has been appointed Professor in the Media Design department at Mainz University of Applied Sciences in 1998. Since 2011 he has been director / speaker of the Mainz